(a dump, and a lost pile of crap)
I've never been to Istanbul
but I've read 'Istanbul' by
Orhan Pamuk three times
already - he won the Nobel
Prize for Literature with that
book some years ago, back
when a Nobel Prize of that
ilk really meant something,
and before it was slavishly
given to rhyming-couplet
midgets with rock n' roll
horns, and then picked up
for them by the same but
in a female guise. Seeing
Peter Handke get it this year,
believe me, really did my
heart good. At least it was
a step back into a literary
direction. I've always seen
things like this as combined
effects of effort and quality.
Effort's easy and is everywhere,
but 'Quality' has long ago
fallen off the chart and been
overwhelmed with the happy
force-field of pleasure and
entertainment. Things now are
just foisted off on us, as if
all standards, instead of
pulling up the bottom, have
allowed themselves to be
pulled down, from that top
perch into some much lower
berth of rhymes and rhythms.
It sells, and it makes money,
But, honey, literature it ain't.
-
Sometimes when I'm writing
this material myself, here, I
muse over both its caliber
and its locus. Essentially I
have 4 things going at any
one time : Seminary; Avenel;
the Pennsylvania farm; and
New York City. It's like a
flotilla of four small warships,
plotting through some inner
sea and picking up along the
way, as cast-offs or found
stowaways - things as varied
as Camden, Ithaca, Vermont,
jazz, females, art world and
Studio School, etc., and it
runs right up to the present
day when so many things
around me (like this 'Nobel'
Prize), have fallen away to the
indentured list. There was a
time, twenty years ago, when
it seemed safe to say, 'I know
everybody!' - but it's not
like that now. Many are
deceased, from Indian Larry
and Jeff Gordon (no, not
the race-car guy), to any
number of others. In that
respect things have gotten
fairly solitary again. But I
have great fun and the elixir
now seems just right.
-
'Counting ships passing
through the Bosphorous might
be a strange habit, but once I
began discussing it with others
I discovered it's common among
'Istanbullus' [residents, like him,
of Istanbul, Turkey].' That's Orhan
Pamuk speaking. In this book
I've mentioned. He writes, as do
a few others, in the vein of those
whose worlds don't stray far
from their homes, of birth and
place. Now, many people like,
instead, to travel far and wide,
relocate themselves to exciting
places, distant and rich. My circle
has closed back in, and made me
happy. I can finish out this game,
I hope, right here, but with a
wagon-load of memory and
experience by which to carp
and holler about the malicious
present. It's one thing to be in the
hands of fools; but inexperienced
fools can do no one any good.
Like Hitler and Goebbels, their
plans far outreach their reality.
In the history of America, it's
been done time after time,
and cities ruined. East St. Louis.
Camden. Detroit. Great parts of
Baltimore, New York, and
Philadelphia, thrown to the dogs.
That's the large city contingent.
What's even worse is what we
have here now - small men, with
pea-brains running on automatic,
smashing all records for idiocy and
overreach on the smaller places
of our land. Pride goeth before
a fall. Ok. A fool and his money
are soon parted. Power corrupts,
absolute power corrupts absolutely.
(That last one was Lord Acton).
Growth and over-reach are great
on paper, until you begin bringing
in low-lives, borderline indigents,
and the ailing, those categories of
people who are already used to
dependency, taking and getting
from others, working the system,
and having others pay for their
miserable lives. Every one of
those new places do not come
cheaply - sewer and toilet,
waste-water, cars and parking,
congestion, lights, services,
bureaucracy, clerks and clip-board
people, agents and social workers,
those who determine needs and
allowances. But, we're getting
them. As Margaret Thatcher put it,
'Sooner or later you run out of
other people's money.' You can't
bring a dead town back. I can
go up and down the blocks around
me, and every 3rd or 4th house is
someone, in some capacity, working
for the government and living off
tax-dollars. I must ask, how is
that American? What principles
does that fact NOT violate in
the older, original scheme of
the American Republic? Every
one of those represented houses,
as well, has a fair chance of right
now having a political sign on
the lawn for Mayor Goofball and
his Marvelettes. Is it any wonder?
-
What's gone out of the equation,
totally, from Nobel Prize right
down, is the factor of 'Quality.'
Noise has taken all that over.
The noise of clamor and interest
group, of the intolerance of those
who will demand never 'change'
but rather the continuation of their
status quo. That's a deadly disease,
living without quality. You can do
a million things in that capacity,
and none of them would be worth
spit. Without quality everything is
endemic and everything is evil.
-
When I arrived in NYC, July
as it was, 1967 the first thing
I noticed (e11th street, lower
east side, w8th street, etc.) was
heat and how tawdry everything
was. Yes, it was bad, and it was a
startling eye-opener. What saves
New York City - and this is for
right now too, because it's all
probably on balance about the
same was it was then, but with
air conditioning. (Henry Miller,
'The Air-Conditioned Nightmare.'
You probably should read that too) -
is legacy. Its legacy as 'place.' Other
places don't have that, surely not
here where I'm living now. In
NYC, if you're smart, you can find
and tap into that golden richness
of a past that still is vivid, and it
lives, and can be found and
accessed. It has openings! The
thing that must be done in NYC
is to keep away from the 'today'
and only find the 'Quality.' That's
the still quivering past, shaking
yet and infiltrating the present,
for those who can read and see it.
Otherwise, just like here, it's a
dump and a lost pile of crap.
-
I've never met Orhan Pamuk,
but I bet we've spoken, and I bet
our fragment personalities know
each other well. Here's a cool
tip, if your car, by accident,
ever ends up in the Bosphorous,
with you in it : "I should remind
readers that once a car starts
sinking it's impossible to open
a door because of the pressure of
the water against the door. How
to escape? Don't panic. Close
your window and wait for your
car to fill with water. Make sure
the doors are unlocked. And ensure
that any other passengers are
very still. If the car continues
to sink into the depths of the
Bosphorous, pull up your hand
brake. Just as your car has almost
filled up with water, take one
final breath of the last layer of
air between the water and the
car roof, slowly open the doors,
and without panicking get out of
the car. I am tempted to add,
finally, that with God's help,
your raincoat won't get caught
on the hand-brake."