Tuesday, October 31, 2017

10,117. I HAD TO WATCH

I HAD TO WATCH
If you've tried convincing someone they
were wrong, you'll know it's impossible 
to do. Such unconvincing talk is like an
experimental writing, as in 'What are
you trying to do?' Inexplicable. You.
-
I've tried. He still jumped. Coming around
the corner one fair morning, I saw they 
had his body in a bag, pretty much right
where he'd landed  -  and the upstairs
loft window, I could also see, was wide 
open, gaping, with glass on the ground.
-
I'll have to admit, he left quite a sidewalk
stain. Within six hours, after some tape-
measure stuff and investigation, after
they'd paced the street and photographed
the site, and measured some distances,
their crew came by in a cream-colored 
truck with bold letters about Crime-Scene
Cleansing or something, and power-washed 
the street and walkway. I had to watch.

10,116. RUDIMENTS, pt. 121

RUDIMENTS, pt. 121
Making Cars
It's pretty weird right now, in my
later life, to still be doing all this
crazy writing. I would really never
had thought this would be going
on, had you asked me in 1968, or
any other year from anytime back
then.  By the time I got through 
the 1990's I was pretty burnt, 
unsettled, and almost numbed, 
and that slows you down a lot 
in your writing-reactions to things. 
In order to really 'write' while 
looking back along the way to 
reflect and make anything sensible 
out of both the urges and the messages 
that come through, one has first to 
have had developed a one-step-back 
sort of detachment. I'd think, anyway. 
It's a very odd concept I'm working 
with here  -  let me put it another 
way. In old landscape paintings, 
right up until Cezanne, when you 
viewed the landscape there was 
always a 'way in.' There was always 
a spot the eye was led to, to walk 
into, to enter, to be brought into, 
this landscape of the painting. It 
wasn't until Cezanne that the full, 
flat, frontal presentation of the 
'landscape,' (it was still called that), 
no longer really presented a way 
in at all. It had been 'abstracted 
out,' let's say. I think of course 
that's sometimes what people 
begrudge abstract art for  -  no 
way in. It's no longer 'nice' to 
them, it doesn't welcome them 
in. It's no longer like a calendar 
picture. Well, what I'm saying is 
it's like that with writing too. 
Cezanne wasn't abstract at all, 
but he was the very beginning 
of that breakaway fashion of 
presentation that segmented 
into planes and blocks and jagged 
fields, what it is that we see and 
call the 'world.' I once had a long, 
tedious discussion with some 
flubhead who claimed there had 
never been the equivalent of 
abstract-expressionist art in 
writing. I begged to differ, and 
went right at it. He remained 
unconvinced. (He's gone now, 
so no matter). 'Hell yeah there 
has...' was my starting point.
-
Maybe to the uninitiated, or the 
non-writer, it's not seen, and just 
comes off as something too difficult 
to read, to scattered and dense, as 
in 'Huh?'  -  it happens, yes. On the 
other hand, in reading 'poetry' and 
any of that 'sensitive' heart and 
soul crap writing that comes 
through today, most of THAT 
is unreadable. Everyone's got 
a damn heart, and broken heart, 
and longings, and remorse, and 
wishes and tenderness and baby
 emotions and yearnings and 
starlight and moon and distant 
skies and beaches and turtles 
and beautiful birds and designs 
in the sand. And, really, who 
the hell cares? I certainly don't. 
That's all literal, soppy writing. 
Not 'abstract' in that sense, and 
goes absolutely nowhere. They
can't writ with knowledge of the
language they're using, nor can 
they parry and thrust with the 
words and ideas at their disposal. 
It's all the same, usual rubbish. It's
all like a ladies club for mourners, 
or some guy's club for the effete 
and the gourmet-sensitive twerp 
who probably drives a New Beetle 
with a plastic flower in the dashboard 
cup. Either that, or everybody calls 
their rhyming couplets, rock and 
rap lyrics, poetry  -  and they give 
freaking Nobel Prizes now to the 
doers of such drivel. Hard to take.
-
I lived and breathed, in those days  
-  as I do now, but differently  -  the 
ideas and the rolling solace of Art 
and Writing. They were my own 
twin goalposts and to Hell with any 
other sort of football. I recently 
wrote a piece entitled, 'I Ran Into' 
which pretty well embodies my 
own personal sort of writing now, 
in the form I mean. You may say 
it allows no way in, runs amok, 
drives in ten different directions; 
but I would not say that. To me, 
it's a Cezanne. It's post-abstract 
landscape painting. That's a true
piece of writing as abstract-expressionist
as can be. Completely defensible. It 
doesn't 'have' a way in  -  like Cezanne, 
doing away with any church-guided 
tours of the soul, this is the real soul 
of what we live.
-
Th old world view of things  - politics, 
religion, and the rest of the social state 
which was early civilization, could 
best be summed up by the church. 
Everyone was in the dark, confused. 
Like an old-style landscape painting 
the church presented people with the 
way in, the entry-point was clear, as 
was the path  -  you do this, listen to 
this and to Him, imbibe the Dogma, 
and that righteous path will bring you
to 'where' we say it will. In his way, 
Paul Cezanne did away with all that,
almost Luther-Like  -  just throwing all
that stuff right out to you, 'here' catch'
and allowing you to find your own way
into your own manner of understanding
your own world. Matter-of-factly, he
may has well have been speaking for
REM  -  'It's the End of the World As 
We Know It....' As for myself, in the
same vein, I was set-free to roam and
think all this through. All the old entries
and doorways I'd ever known were gone,
by my own doing, and I had to find my 
own, new ones. I never knew what 
hara-kiri was, until about 1970 or 
whatever it was, that Japanese writer
named Yukio Mishima, did it to himself.
It's a ritual form of suicide, very formal,
with procedure, ritual steps, fabrics,
moves and motions, a swords. It's like
a staged even, in protest, in front of 
others. Ritual disembowelment. After 
a final speech, outlining the point of 
view, and the personal beef, and the 
rest, the individual very carefully takes
a well-honed sword or saber, whatever 
it is, and with complete deliberation, 
gores himself, drives in into his abdomen, 
with twists and turns, and disembowels 
himself, and dies. It's totally massive, 
and a monstrous death. Mishima did it, 
in front of his followers. it was a huge,
and scandalous, event in Japan, back then, 
literary circles and more. I felt I had done
the same to myself, all my past beliefs and
thoughts. That was all dead. It was a new
world, with all new entry points.







10,115. I RAN INTO

I RAN INTO
At the Copacabana Club I ran
into Huey Long. He was with 
Desi Arnaz, and I was surprised 
they knew each other. Desi said,
'Oh, yes, we go way back. I met him
through Lucille.' 'Do you mean
'Casting Couch Lucy?' I wanted
to say, but thought better of it. Down
south they had their own kind of 
Cuban Mafia, and although they 
didn't seem tough, they could be.
Why muscle with muscle, thought I.
Then I went into the lobby, where
there was also a pool, and there were
five or six ladies around it, in those
odd 1950's swim-suits with the little
modesty thing over the groin area. I
used to thing that was sexier than a 
tiny suit, to tell the truth  -  anyway, 
these were all throwback suits, not the
real thing. I found out later I was wrong,
but that's not part of this tale. When you
go down south, there are sometimes hens
and chickens everywhere, and old cotton
plants line the Carolina roads. It's a weird
feeling, getting to Cuba, because you first 
have to get to 'not-Cuba'  -  which takes 
all the work. I don't mind the driving, but
it's all those Georgia cattle-trucks that
bug me  - metal sheds on wheels, filled
with fat pigs on their way to slaughter.

10,114. BRACKEN

BRACKEN
So, this guy says 'that water is
bracken,' and I had to ask him what
that meant, or what he meant by 
it anyway, because I was no longer 
sure. 'Standing water, too long, 
no movement, don't drink.' I said 
OK, and then asked where I would 
go if I was really thirsty and had 
no choice. He pointed away and 
said  -  'about a mile over, beer at
Milly's.' So, that was that, I went
to Milly's. Somehow, I walked in
there thinking of apples; I didn't
know why but the only thing in my
brain was an old poem by Hart 
Crane. 'The apples, Bill, the apples!'
It didn't really apply, couldn't at all,
but something had set me going.
So I walked into Milly's, where there
was nothing much at all, and asked if
they had any Apple Jack, or hard cider.
Turned out they had both, but I just
took a beer, and then another. And
then a shot of Wild Turkey, and then 
another. And then another beer. Well,
you see how it goes. I wasn't thirsty 
any more, but feeling a real buzz. 
I walked out the door  -  after paying
and all, with the tip, it was all some 
thirty dollars later, (boy, don't know
where that goes; money flows), so
as I'm standing outside this guy 
comes by walking a horse and I
said 'Why aren't you riding that fool
beast?' and the guy looks my way
and says, 'She went lame,' and then
he spits  -  too close to my feet for
me to feel any good about, and I said,
'Hey, why'd you do that?' and he says,
'Sorry, it just slipped.' Just like the
stupid horse did, probably, I thought.
-
I never liked horses, they never did
anything for me. I never really knew
any though, because of that  - so I
never really gave them a chance to 
shine, nor did I ever give myself a
chance to like them. By not knowing 
about them, that leaves a big hole.
I used to know girls that liked horses;
all the time, about horses  -  they'd
board theirs, and go see it, and ride 
it, and maintain it, buy feed and oats,
the boarding place would have 
retainers and they'd pay like a rent, 
pretty substantial too, to have the 
horse tended for and looked after, 
and they'd come every few days 
or every so often, to ride or trot 
or just sit around with their loving 
horse, and others. None of that
ever did much for me except 
get me annoyed about people 
wasting their time. And over an
animal that always seemed too
big, to me. Kind of a strange and
fearful creature too. Unsettling.
So, what do I know? I figure that 
everyone's got something they 
especially revere, and it's personal
to them. I guess I've got nothing
against horses, and there's not any
necessity about any of it, so if it 
all becomes part of, say, a girl's 
learning process, that's OK. It's 
a representational function of the 
ideal image come to life. A real
'girl's dream,' if you will. If they
allow all that for Barbie Dolls 
and stuff, then they should surely 
let it be for horses as well.
-
So, I decided I wasn't really drunk,
just thinking; and I went back
and had another two beers.

Monday, October 30, 2017

10,113. RUDIMENTS, pt. 120

RUDIMENTS, pt. 120
Making Cars
Another thing about all those local
town meetings  -  they are very
distorting; like fun-house mirror 
things. The smallest, tiniest concerns
  -  I mean even down to things like
the size of the sidewalk squares, the
lighting, the hours of operation of
an establishment, their lighting, their
noise  -  each of these tiny, quite
parochial concerns, get blown up 
into issues of great import, and
sometimes anger too. It's very much
a rumble, with the hearings and the
locals taking the mike. Everyone's 
got a beef about something, and they
get completely absorbed by it. I often
had to sit there and listen to all this
emotional gibberish, and then seek
out the speaker, get the person's name.
maybe some background info, what it
was they just said, or tried to say anyway.
Many of these people were not very 
articulate or precise about their words.
And then, once they realized I was a
'reporter', and with the Star Ledger, no
less (whooo!), they instantly became a
superstar in their heads, turning on
the grandiose and the inflated. Yes,
and I just had to withstand it.
-
In Metuchen, there was a Mayor 
named O'Brien, for years, three or
four terms. Rather a jerk, a really
chubby elementary school principle,
and he treated everyone else as a second
grader, and subject to his 'guidance.'
He was tolerable to watch, only because
he was round and funny. There was a
junky little bar in town ('NJ's'). Maybe
it stood for New Jersey's, or maybe
for Nick Baumle's. Don't know. It
was a dive, shot and a beer joint, with
a pool table or two, a pool league, etc.
Their little parking lot was always a
trouble-spot: people urinating, making 
out, fighting, smoking, throwing butts 
and bottles, etc. All the usual. Neighbors
would come to meetings, going on about
late night noise, illegal activity, fornicators,
etc. They wanted it closed up. They wanted
the outside pay-phone removed, because
drunks were making deals outside, drugs
were exchanged, blah, blah. Maybe true,
maybe not. No one knew. But for at least
three years this O'Brien guy did everything
he could to have the place shut-down, put
out of business, removed. Always going on
abut quality of life BS, violations, etc. 
He'd get all high and mighty, and
haughty, saying things like "I've always
said there's room in this town for a nice
tavern with food, where I could bring my
family to dine and not have to worry. It's
OK if people want to drink with their meal,
but this bar-life stuff has to be stopped...'
On and on. Funniest thing, once he
leaves office, 'NJ's' is gone, and all of a
sudden there's this totally presentable,
fake 'bar' on Main Street, with food, 
and happy people, no offenses, and with
a restaurant format too, and well-lit. I
asked once or twice who actually 'owned'
the place, what the names were on the
legal papers, but I got nowhere. I'd be 
willing, though, to bet my shirt that the
proprietorship of 'Haley's Harp' (faux Irish
bar) involves the O'Brien family, father
and son (Public Works Dept. Manager),
is on that list, blind trust, or whatever
it is. Just a reporter's hunch.
-
Going to all these meetings after a 
while did just wear me out  -  there's 
only so much of 'normal' life and its
concerns I can take. There were moments
where people would turn in their neighbors
for un-mown grass, and high weeds. Complaints
about traffic, pedestrian access, handicapped
stuff -  it was all tedious and I thought the
people very lame. They ALL seemed
handicapped to me  -  next they'd all
want a ramp. There were times I did just
wish to stand up and scram out 'What's
wrong with you people? Are you all 
insane?', but instead I'd have to be the
little squid with the pencil and pad asking 
them the spelling of their name. I never
got to the bottom of whether or not that
all was really what was meant by the term
'participatory democracy' as we'd learn
about in Civics class, but I thought if it
was it pretty much sucked and was dangerous
too. It was THAT close to mob rule and not
much else. A bunch of crank-ass people
jealous of or angry over their 'neighbors'  -
which, of course, automatically makes 
them not 'neighbors' any longer, but more
like 'antagonists.' But they were all too
blind-stupid to see any of that. The Council
clowns would report on their little committee
meetings  -  the seniors fair, the Little League
party, the recreation dept. bowling trip,
on and on. The Boro Engineer would go on
about plans for the new firehouse extension
or the installation of new restrooms and
playground equipment on Mason Street,
or the parking study at the municipal lot.
I wearied, prematurely. It aged me. I
quit it.
-
Most of my personal, mental notes and
references were still all about being an
artist, and a writer, and New York, and
NOT following rules, not doing things the
established, way, NOT, for pity's sake,
tucking my shirt in  -  and there I was
funding myself nightly in a room with a 
bunch of foul men and women in suits. 
My references didn't work, my 'location
synapses' were not connecting. I knew that.
The men in the foul suits, well, to me they
were understandable  -  stupid, dumb, dicks,
just like when I was a kid, and my friends,
posturing stupid-ass boys  - but it saddened
me (and still does) to see a woman put herself
through ll that. Pant-suited or not, they all
come across like Hillary. Too bad. The
Madelaine Albright Express must be 
giving away free tickets at Woodbridge 
Town Hall, because that's what you get 
and that's what you see  -  a woman just 
tarnishes herself when she thinks acting
like a man is something sensible to do.




10,112. THE RESOURCEFUL MINER

THE RESOURCEFUL MINER
The resourceful miner can dig, and the
sign says 'Dig We Must,' like the old 
Con Ed guys on the New York streets.
I always felt the same way. You dig?
-
I dug for truth and justice, and the
'Murrican way. Found it all, and then
threw it away. Like some Peruvian God,
multi-leveled and fierce, with carvings
and sacrifices and fires all around, I
remained busy with what I'd found.
-
This world as a fiery-pit furnace.

10,111. LOOK HOMEWARD, ANGEL

LOOK HOMEWARD, ANGEL
I could sit up all night, I realize, and
be just like a Dr. Feelgood who cares
about nothing at all. I could spend my
life going to library sales and streetcorner
rummage tables, talking with strangers on a
screwed-up train-ride, or buy two bananas for
eighty-five cents from some swami guy with
his vegetable cart. Stuff like that just bugs
me  -  if I saw this guy with a hypodermic
needle, anywhere near my bananas, I'd 
figure the new fatwa was out after me  -  
'to poison his bananas or anything he eats.'
Some jerk-off going straight to Heaven and
his seventy-seven virgins, for killing me.
It's all I can say; it's all I can see.

10,110. SOMETIMES

SOMETIMES
Sometimes I gotta' be truthful about magic, 
and I sit here and wonder; why I'm stuck 
in this rut of a hole, going nowhere and 
going whole, waiting for lightning to strike.
I've been waiting so long, I could make a
blind-man's blues song out of it all. The
woods would burn down around me if that
lightning did strike, but I'd be ready for
anything : I've taken care of all that long
ago, with so much back-logged work that
three moving trucks couldn't move once 
they got done with me. Florence Nightingale,
some babe in a gauzy gown; I'd give anyone
a tight hug right about now. Hell, maybe
go all the way, the way they used to say.
-
It's only a matter of time. I gotta' love
something, and I gotta' love mine.

10,109. IN THE STORM

IN THE STORM
Isn't it always the way  - you have
to target something, I guess, to focus
attention on a pinpoint piece, concentrate
the action of what you are feeling. I am
sitting in a storm, behind window and
walls, yes, so no real danger, but it howls
and I hear the full rain. The fire sirens too
are going off, and I wonder, first, 'it's not
me; I wonder what's now happened? A
housefire, or a car wreck in the raging
storm?' Either one, these days, mostly
draws the firetrucks too. I'll never know,
unless I see some sort of burnt-out wreckage
tomorrow sometime, or someone tells me 
in a non-human way, what's going on. 
The way we have it now, I mean : news by
newsfeed, little blurbs of local junk, and
cheap headlines from some snark lurking
around courthouses and law offices.
Hard to get away from all of that : like
people with pets, one dog leads to 
another dog, and that dog has an owner, 
and the next thing you know there's 
another because he or she knows him 
or her. A maze of useless information 
while you're trying to focus
while holding a leash.

Sunday, October 29, 2017

10,108. PANORAMIC VIEW

PANORAMIC VIEW
The only panoramic view I ever 
saw was the one looking out from 
my dreams. I'd scan vast new horizons, 
with stars and planets looking on. 
The light went racing by me

10,107. RUDIMENTS, pt.119

RUDIMENTS, pt. 119
Making Cars
While I was working the biker
racket I was able to learn about
a million things, the sort of things
that can be absorbed into the
lifestream and easily remembered.
Covering those meetings that I
mentioned, for the Star Ledger,
they were the real eye-openers.
There was a Board Of Education
guy in Piscataway (Schoolhouse
Road, actually) who, whenever
they held their meetings, to which
I was assigned, he was the meeting
Chair and was, and comported himself
as, an absolute raving maniac, with a
gavel, no less. It used to just about
make me crazy to have to sit there,
(for 50 bucks a meeting) and listen
to him. I was supposed to, by definition,
just be there to report proceedings,
facts and figures, budget and curriculum
stuff, etc. It never worked that way
because, by the time this guy was done
with a meeting, even I was ready to
lunge for his neck. This was already 
like 22 years ago, so understand that 
I no longer even remember the little 
jerk's name or position, except that he 
should have been shackled and chained. 
No one else in the entire stupid room 
ever piped up or pushed back on him  
- these were locals and Board of Ed 
people who were complete cowards. 
This guy ran rampant over them  -  he 
was filled with vile and attitude. He 
was also, by chance (!) the Superintendent 
of Schools for Piscataway. We had press 
credentials to wear around our neck, 
and a seating area for the 'Press.' 
After the first few meetings I caught 
on, and never wore my card again, 
nor sat in the proper seating  -  and I 
found it didn't matter, and I also 
found myself alone. Others of 
the small Press contingent had 
just stopped coming. The reason 
for that as because this raving 
lunatic would, in the middle of 
his rant, pick at or pick out a 
press person and begin loudly 
berating them, almost violently, 
as representative of the foulest 
most irresponsible organization
 in existence. He blamed the Press 
for every problem in the Piscataway 
School District, somehow also 
including in that the 2 million 
dollar tax shortfalls and discrepancies. 
Now, he may have been right enough
or close anyway, in calling out the 
Press for its rank shortcomings, but 
he didn't know what he was even 
talking about, and he'd mixed up 
his milk with his cream, so to 
speak. He acted as if the biggest 
issue in the entire USA, and 
captivating everyone's attention, 
was the small-beans paw-play 
of the Piscataway Bd. of Ed., 
which merely meant to me that 
the small-man's Ego was so 
inflated and so twisted that I 
don't know how he even faced 
a wife and family, if he had one. 
I pictured his getting home, 
bragging 'I showed them', taking 
off his tie, and bending his wife 
immediately over the stove or 
kitchen table and sex-pounding 
her for about three minutes. To 
achieve satisfaction, as it were, 
through her submission to him. 
The guy was obviously deranged, 
as was I, almost, when I realized 
that, as elected officials, these Board 
of Ed people actually had people 
who voted for him. How that 
occurred, I never knew. I think
the position of Superintendent 
of Schools is a hire, by interview, 
etc. In that case, as well, I have 
no idea how this man was ever 
even considered, let alone hired, 
nor how he possibly could have 
gotten on with any underlings. I 
hope he's found some peace by now, 
dead or alive, I wouldn't know. But
in the testimony book of  bad public 
officials, I hope that  creepy guy 
has a chapter  of his very own.
-
In the complete other direction to 
this, and a meeting for which I 
monthly asked and volunteered 
my services (still however being 
payed), was the almost comedic 
East Orange Board of Ed Meeting. 
It was almost like a revival meeting, 
1995 version anyway. Totally 
pre-computer, as all of these were, 
and pre-smart-phones too, so none of 
the weird and distracted stuff occurred. 
These were all, believe me  -  no slander 
intended  -  fat, black people in gaudy 
and cheap but 'formal' clothing. East 
Orange, if not a ghetto, was as close 
to one as could be for blacks and poor 
people everywhere, with storefront 
churches at every third building, 
named things like the 'Glory Hallelujah 
Heavely Church of the Risen Christ-Body
in Heaven,' or the 'New Jerusalem Holy 
Water Living Stream Temple.' You get 
the idea. When prosperity moves out, 
the storefront churches always move in, 
and the poorer the community, the more 
invigorating the storefront churches get. 
This was front-and-center, Ground Zero. 
There was absolutely, in East Orange, 
NO separation of church and state, as, 
in any indigence and welfare state, one 
demanded the other and relied on its 
services for people to stay alive. 'The 
Church of the Holy Can of Free Soup' 
would have said it no better. Somehow 
the State of NJ required them, as 
well, to run a school system and 
have 'Bd. Of Ed.' meetings. Beats me 
why. They were call and response shout
outs, meetings in name only, covering 
curriculum, text books, theories of 
evolution and salvation, behavior 
modification, funds and funding, 
how to get funds and funding, and
 'where'd that fund and funding go? 
If a black version of the Marx Brothers 
could have run a meeting, this would 
have been it. Nothing really ever got 
done anyway, and Brother Spencer, for 
all I know, right after the meeting took 
Sister Marcus to the Hacienda Motor 
Lodge on the nearby highway to 'work
things out,' and testify. It was a total 
riot. I dutifully reported whatever facts 
and numbers I could glean from 
the meeting.
-
The biggest pain in the butt, really, and
the item which made me realize this was 
NOT worth fifty dollars, was both the 
travel and gas (all on me  - most of the 
other reporters, as did I, tried to get 
assigned as close to home as possible), 
and the annoying need to turn in copy,
by telephone, for 11pm. As I said before,
this was before computers and smart
phones (I still don't have one of those,
thanks), so it was always a mad dash for
a phone booth or wall phone, and a made
dash as well, turning the scrawl and weird
shorthand into real copy, AND getting the
budget numbers and ordinance numbers 
and resolutions and laws, by number right. 
It never failed that the person on the other
end of the phone would then ask, 'OK, 
this year's passed budget figure I see is 7.3
million. What was last year's, and what's 
the percentage increase or decline?' Of
course, smart reporting and good reporting,
I learned quickly would do all that along 
the way, and slip those facts and figures
into the copy. But it was always the ONE 
thing maybe missed that would snag you, 
while the clock ticked, you wanted to get 
home, and had yet to drive. In addition 
and also treacherous and often needing 
call-backs and correction, was the spelling 
of names and titles, job categories, and 
the rest. And then, lastly, the quotes.
'Did he really say that, exactly?' (I kept 
a book of home phone numbers for 
various officials after a while, and 
would then call them up to ascertain 
the exact quote's accuracy, often of 
course, denied, or altered, that too 
causing untold problems, from a 
7pm, 2 1/2 hour or so meeting. These 
guys were often angry or annoyed 
to be quoted, wouldn't cooperate, 
or they'd stonewall what they said
or meant, or they were so full of 
themselves and looking for higher 
office that they'd twist and pillage
anything  - the reporter included  -  
to have it their way. Many, many 
annoying follow-up phone calls. 
It was no fun, at all.
-
When I covered any of the local
Woodbridge Meetings, which I did, 
my favorite thing, actually was  -  because
it seemed so cliched and textbook for
journalist stuff  -   how the few reporters would 
rush out and head right outside to where there
was a 'Quick-Chek' store, right there, with two
pay telephones (long ago removed) on the 
outside wall. Myself and, most often another 
reporter too, would get to the phones 
about the same time, ignoring each 
other, never comparing notes or 
anything. and madly dial the editor's 
desk to run in copy over the phone. 
It was a cool fifteen minutes of chatter, 
like in a movie. Very fun. Ant necessary
follow-up, the people needed were often
still inside, talking away.