Monday, April 29, 2019

11,721. RUDIMENTS, pt. 670

RUDIMENTS, pt. 670
(these numbers kill)
John of Patmos wrote to
seven churches. He exhorted
them to persevere : faithful
obedience to...something.
Then, at that time, already
(I just made time go
backwards!), there was no
'church' to speak of, not even
any doctrine. He was firing
from the hip. A real mystery
hip too, it was. Wildly violent
tribulations, and a divine
judgment soon to come. To
end with the annihilation of
the present world. Now, in
thinking of this  -  and I did,
a lot  -  what could annihilation
of the present world mean? Banks
and cars? Swimming pools and
beaches? NO, of course not. And,
without any real doctrine, this
is where it got crazy : it meant
the 'outside' of, the ending of,
Time. Space. Distinctions.
Meanings. If that isn't (wasn't)
enough to wipe you out, have
another beer. You're a stronger
cat than me.
-
God, here creating a new heaven a
new earth, and a new Jerusalem,
seemed to me to have taken on a
whole bunch of redundant chores.
Why do all that crap twice? An
overwhelmingly violent end that
runs cosmopolitical and covers all
sorts of not really human bases in
order to make a new beginning in
which death and suffering will be
no more. But only for the elect?
And for the others, after 'Time'
is abolished, they get to spend
eternity (no time?) in a constant,
fiery, churning blackness, because
they goofed up? Perhaps it was
just something written, off-handedly,
by a highly disturbed individual?
First off, the guy didn't like women,
and went out of his way to declaim
their monstrousness. That's sort
of weird. In fact, in light of all else,
and especially those nurturing and
Gaia-like attributes all through
mythology and primitive (primitive?
This isn't?) religions, as well as the
portrayals of the women around
Jesus, and all those early days,
it seemed perversely twisted.
Wish I knew more on that count.
No one ever really 'pushed' the
Book of Revelation on me; I
sort of got to it myself. And then
I learned, too, what psychosis was.
Thankfully. Seven seals. Four
horsemen. Red dragon. The 'woman
clothed in the sun.' The mark of
the beast. The grapes of wrath.
The whore of Babylon. The
second coming. This guy had
it all covered.
-
I walked the streets of New York
City, in my own City of god, in a
way as perverse as it all was. All
that  -  once again  -  'God is the
noise in the street' kind of stuff.
I still saw myself as a person
with that kind of mission, a bit  -
lifting the schmuck in the gutter,
putting him or her back on  their
feet and walking with them. In
another way it was 'stressing the
unstressed, and unstressing the
stressed.' If that makes any sense.
You could have all your apocalyptic 
stuff, and hand over foot too.
It didn't go anywhere, and you
couldn't shake hands with it. 
Whenever I see some nitwit using
numbers on his or her concepts,
I shy off. This thing was full of
that. Four horseman. Ok, sure
not five, or three? Seven seals?
OK, why not eight? Second
coming? Why that? Two tries
at oblivion? Thousand year
reign? Yeah, OK. I saw the Son
of Man, seven stars in his right
hand. Seven? Right hand? This
all is psychotic stuff  -  demanding
placement, numbers, sequence.
It's wrong, folks. Don't go there,
I've studied it for you.
-
The best thing one can do, (this
is all Art of War stuff) to blunt
an enemy is co-opt it. Draw the
enemy to you, bring it in. Offer the
person something, Hire him.
Bring it (that enemy) into the
fold. It beats fighting it all out,
expending all that energy, killing
each other in endless sparring. I
think any wise opponent would
know that. It's quite simple. Well,
after all that time, the early church
formings, martyrs, Anti-Christ
bombast about Rome being the
Beast and Whore of Babylon, that's
precisely what it did  -  instead of
going down in flames, the 'whore
of Babylon' was now wed to the
church. "Rome's campaign against
Christianity lasted nearly a decade.
More even. In 313, a year after
Emperor Constantine purportedly
dreamed of a fiery cross inscribed
with the words 'by this sign you
shall conquer,' he and the Eastern
Emperor Licinius signed  the Edict
of Milan, which mandated tolerance
of Christianity, declaring that people
were free to worship as they saw fit.
Then in 324, Constantine moved the
capital to the predominantly Christian
city of Byzantium, renaming it as
Constantinople. [Another little bit
of vain-glory, I'd say, after the one
about 'conquering' under the sign].
And then, a year later (this is the
co-opt section, when real Christianity
got beat for good) he promoted the
unified church and convened the
Council of Nicaea, where all this
conflict and balderdash could be 
sorted out, codified, and turned 
into the law of the Roman land. 
That's how you kill your enemy! 
Take it in. Absorb it all.
-
After that, it was all real estate,
territory, Kingdoms, rules, doctrine, 
rites, procedures, and the rest. Any
religion of it was done  -  secular
serfdom, slavery, men tied to the
land and to working for others.
Thank God for thanking the new
God! Organizational structure,
and church hierarchy. (One time
I had one of those mission
proselytizing types say, about
organized, non-evangelical 
theology  -  'That's not Christianity,
that's Churchianity.'
-
I loved it. I loved it all, and along 
the streets and in the lofts and the
studios, on the bare-naked babes
I'd see, on the kids trouncing
around like half-dressed clowns, 
on the oldsters turning beads and
sideburns hip in  a fortnight, on
the words of the televised masses,
on the returning Vietnam guys,
coming back, late as it was, as
hippies, militant slaves making
peace signs, wearing anti-war
buttons, and making the peace
sign as they exited their transports.
It was all very weird, and, damn it
all, it was a new church of life.
For all of them, and for all of me.
-
Connecting this to something, it all 
came to Art. I was able to make it do 
that: Hildegard of Bingen; for instance  
- Revelation alone wasn't enough for her.
She lived 1098-1179. Hildegard, back then,
was what we'd call a 'picture thinker.'
She took Revelation, and went a step
further. Her image-rich descriptions
and lavish illustrations became more
popular then even the written text was.
'Scivias'  -  Know the Ways Of the Lord',
was a series of twenty-six apocalyptic
visions, ten years in the making. In an
oddly Blakean way (I switched time again,
she came firs by many years. Blake was
1757-1827). Captives of only the best of
their own times, each (and with this I add
Joachim of Fiore, to whom I'll be getting
later), she was the first to really envision
'Art' as encapsulating what the fevered
mind might see : this was easy stuff
for her, a sort of picture-book-gateway
fantasy into another world those
early people had never seen.
-
I'l get back to this later, but for me,
as well, in 1967, my holyland was
the streets I walked. My accompanying
guidebook, to NYC, was going to be,
and be that alone, one I wrote and
illustrated myself.

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