RUDIMENTS, pt. 609
('moneybags go home')
I probably never got the distinction
right between 'law' and 'order.'
Yes, they both existed, maybe at a
cross-purpose with each other, but
nonetheless there they were, together,
at the same time. I always felt that
the same people (cops and criminals)
were attracted to either one, and
kept, really, little distinction in their
mind between them. Cops. Criminals.
Law. Order. All the same crap, and
the people were exactly the same.
In 1967, the best advice I ever got
came from a criminal.
-
“Hold it up, pal, stop right there."
('moneybags go home')
I probably never got the distinction
right between 'law' and 'order.'
Yes, they both existed, maybe at a
cross-purpose with each other, but
nonetheless there they were, together,
at the same time. I always felt that
the same people (cops and criminals)
were attracted to either one, and
kept, really, little distinction in their
mind between them. Cops. Criminals.
Law. Order. All the same crap, and
the people were exactly the same.
In 1967, the best advice I ever got
came from a criminal.
-
“Hold it up, pal, stop right there."
That was all I heard and all I
really had to – the guy was a
sailor of some sort a stevedore
maybe or a deck-hand all cocked
up and rippled with muscle and
bravado – and what he had just
just then mistakenly assumed was
that I was someone he should be
chasing down for taking something
from the deck of the ship – which
of course I had but could never
tell him or let on about – so I
turned and simply said back,
as quickly as I kept moving, ‘It’s
for Ed Trenery and he wanted
it brought down to him right
away– you’ll have to take it up
with him,' which was some form
of the truth in the fact that, yes,
there really was an Ed Trenery
down on the wharf but he was
in no way concerned with
me, nor what was in my hands.
It apparently worked as an
excuse or at least forestalled
any further pursuit, at that
instant, of me and of the two
large brown envelopes in my
hands – and which were stuffed
with cash and had been sought
immediately by three men a
strange black car out along
West Street who – I’d noticed -
were still awaiting my arrival,
and, that arrival being made,
(at least long enough for me to
get away) I dove into the opened
door and the car simply, and with
great ease, I might add, sped
away into the early dusk of any
Tuesday evening, and if I was
pursued I had been pursued
fruitlessly I’d guessed - since no
one seemed to be following
and the apparent ease of the
‘heist’ – if that was what it was –
in and of itself, was alarming
for me : I’d been promised a
clean 75 bucks to do what was
needed – which I’d just done -
and that amount of money-as-pay
had just been handed over to
me. “Nice going how you went
about that, kid – took nerves and
balls too to just walk up there,
and you did it with both – Good.
Now beat it and stay close,
so’s we can catch up to you
again when needed, awright?” -
I nodded my assent and scrambled
out of the black Cadillac stretch,
somewhere I noticed just north
of the US Postal building on Eighth
Avenue, and everything else –
me and them included of course –
just merged with traffic - me
on foot in a half-rush and
them in their black car tooling
along pretty much like all the
rest except longer and headed
towards uptown and not across
town and it felt good to have
succeeded first time like that
and I knew I’d see them again
soon – once the taste of this
gets in your mouth you just
generally want more – but for
the moment what interested
me was in going over all of
what had occurred, in my head :
the envelopes had seemed to have
had hundreds no thousands of
dollars in them and the bills were
all aligned and crisp and banded
– so it wasn’t just some day’s
receipts kind of thing or anything
like that – they seemed perfect and
clean and new and counted and
separated – all that stuff just like
a bank does –so I figured they were
either bank-stuff already stolen or
new bills just – shall we say – 'mass
produced’ and I don’t mean a church
collection – I mean real solid-gold
class A counterfeit money like ‘if it
fits under the counter we take it!’
kind of dough : however what it
was doing on board that little cargo
ship and why these malfeasant
knuckleheads too had an interest
in it was beyond me AND why
it was pretty much just left there
untended and allowed to disappear
as it did still rankled me but I had
done what was asked and gotten
already my 75 bucks plus the good
notion that I could work well and
could do more for them sometime
soon – I almost looked
forward to the day.
town and it felt good to have
succeeded first time like that
and I knew I’d see them again
soon – once the taste of this
gets in your mouth you just
generally want more – but for
the moment what interested
me was in going over all of
what had occurred, in my head :
the envelopes had seemed to have
had hundreds no thousands of
dollars in them and the bills were
all aligned and crisp and banded
– so it wasn’t just some day’s
receipts kind of thing or anything
like that – they seemed perfect and
clean and new and counted and
separated – all that stuff just like
a bank does –so I figured they were
either bank-stuff already stolen or
new bills just – shall we say – 'mass
produced’ and I don’t mean a church
collection – I mean real solid-gold
class A counterfeit money like ‘if it
fits under the counter we take it!’
kind of dough : however what it
was doing on board that little cargo
ship and why these malfeasant
knuckleheads too had an interest
in it was beyond me AND why
it was pretty much just left there
untended and allowed to disappear
as it did still rankled me but I had
done what was asked and gotten
already my 75 bucks plus the good
notion that I could work well and
could do more for them sometime
soon – I almost looked
forward to the day.
-
It was only later much later after
I’d done this sort of thing 3 or 4
times that I found out what was
was really happening – and because
of finding that out I stopped doing it
(at probably a greater risk to my own
life and limb) : the guy's name was, I
was told anyway, Antonio Dapienza
and he was from somewhere
around Sullivan Street. I forget
but what came down was that one
day we were somehow just talking
and he was asking me a lot of
questions about my interests and
what I wanted to do and what
I was doing all this stuff for –
all of that sort of talk – and I
began telling him about my interests
in art and writing and learning
and literature and all of that, and
of course it was like telling him I
was interested in translating the
Septuagint back into a new form
of Greek; and he just stopped dead
in his tracks and ceased talking to
stare me down and say – “get the
fuck out kid and get the fuck out
now ! this shit’s gonna ruin you
for life – you’ll never live it down
and sooner or later you’re gonna'
take a fall – y’unerstandin me?” –
I had at that moment no clue
as to what he was alluding so
he explained it all for me pretty
much as follows: ‘everybody ‘cept
you is in on this heist – this is
counterfeit money in a constant
stream coming in from somewhere
and everyone knows about it –
the guy who leaves it laying around
the guy who never chases you
down though he sees you taking
it the twerps in the car who
drive you away and pay you their
measly hundred bucks or whatever
it is – the people on the boat the
whole bunch of them they
KNOW this is all going on – HUGE
amounts of counterfeit money
being brought in and distributed –
tens of thousands shit hundreds of
thousands eventually of money –
and the only one right now in real
jeopardy is YOU you dumb
son-of-a-bitch – you’re a nobody
and you’re the ONLY one they all
know enough to finger if they’re
poked – you’re the stooge the fall
guy the whatever and if they DIDN’T
want you to take those envelopes
believe me they’d have shot
you dead the first night and
right now each and every time
you’re brought back in your
getting closer to big big trouble
and screw all your dreams of
painting or writing or whatever
the fuck you’re talking about -
now take this money and get
as far the hell away from me
NOW as you can – I do NOT
wish to see your sorry ass ‘
around here again!”
-
I’d done this sort of thing 3 or 4
times that I found out what was
was really happening – and because
of finding that out I stopped doing it
(at probably a greater risk to my own
life and limb) : the guy's name was, I
was told anyway, Antonio Dapienza
and he was from somewhere
around Sullivan Street. I forget
but what came down was that one
day we were somehow just talking
and he was asking me a lot of
questions about my interests and
what I wanted to do and what
I was doing all this stuff for –
all of that sort of talk – and I
began telling him about my interests
in art and writing and learning
and literature and all of that, and
of course it was like telling him I
was interested in translating the
Septuagint back into a new form
of Greek; and he just stopped dead
in his tracks and ceased talking to
stare me down and say – “get the
fuck out kid and get the fuck out
now ! this shit’s gonna ruin you
for life – you’ll never live it down
and sooner or later you’re gonna'
take a fall – y’unerstandin me?” –
I had at that moment no clue
as to what he was alluding so
he explained it all for me pretty
much as follows: ‘everybody ‘cept
you is in on this heist – this is
counterfeit money in a constant
stream coming in from somewhere
and everyone knows about it –
the guy who leaves it laying around
the guy who never chases you
down though he sees you taking
it the twerps in the car who
drive you away and pay you their
measly hundred bucks or whatever
it is – the people on the boat the
whole bunch of them they
KNOW this is all going on – HUGE
amounts of counterfeit money
being brought in and distributed –
tens of thousands shit hundreds of
thousands eventually of money –
and the only one right now in real
jeopardy is YOU you dumb
son-of-a-bitch – you’re a nobody
and you’re the ONLY one they all
know enough to finger if they’re
poked – you’re the stooge the fall
guy the whatever and if they DIDN’T
want you to take those envelopes
believe me they’d have shot
you dead the first night and
right now each and every time
you’re brought back in your
getting closer to big big trouble
and screw all your dreams of
painting or writing or whatever
the fuck you’re talking about -
now take this money and get
as far the hell away from me
NOW as you can – I do NOT
wish to see your sorry ass ‘
around here again!”
-
All in all the weaving of the
web was something akin to
maintaining the fiction of always
having fun or being exciting -
like Life Magazine covering yet
another Edie Sedgewick sighting –
it was all bullshit and story for
effect and the idea was simply to
promote promote something keep
the ship afloat and moving forward
allow each person to remain busy
and distracted enough so as to
not ever have the moment needed
to view the real situation - the
great fiction that was hip reality
happening now the scene where
it’s at and all that crap and beneath
it all was a New York coyness a
criminal vacancy something which
was slowly creeping into the fabric
of the society and which would
(and has) eventually destroy(ed)
it, like a shadow of Jack Ruby
moving forward with a gun taking
that slow time needed to fall
between the cracks of time -
all of that was still vivid in
everyone’s mind and the country
had snapped as craziness became
the order of the day but an ordered
craziness one still with lines and
procedures for it was all put forth
as something without challenge or
danger and in that manner it was
better able to seep seep slowly into
the same fabric of time through
which Ruby and his ilk had crawled
and everywhere one looked there was
something a'foot - nascent industry
of couture and clothing and
faux-music and styling and
posture and ‘journalism’ too.
web was something akin to
maintaining the fiction of always
having fun or being exciting -
like Life Magazine covering yet
another Edie Sedgewick sighting –
it was all bullshit and story for
effect and the idea was simply to
promote promote something keep
the ship afloat and moving forward
allow each person to remain busy
and distracted enough so as to
not ever have the moment needed
to view the real situation - the
great fiction that was hip reality
happening now the scene where
it’s at and all that crap and beneath
it all was a New York coyness a
criminal vacancy something which
was slowly creeping into the fabric
of the society and which would
(and has) eventually destroy(ed)
it, like a shadow of Jack Ruby
moving forward with a gun taking
that slow time needed to fall
between the cracks of time -
all of that was still vivid in
everyone’s mind and the country
had snapped as craziness became
the order of the day but an ordered
craziness one still with lines and
procedures for it was all put forth
as something without challenge or
danger and in that manner it was
better able to seep seep slowly into
the same fabric of time through
which Ruby and his ilk had crawled
and everywhere one looked there was
something a'foot - nascent industry
of couture and clothing and
faux-music and styling and
posture and ‘journalism’ too.
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