ALL THE
RAIMENT
MATTER
CINDY SHERMAN
I can't dissemble, seeing silent matter.
Art wears its feeble cloak in the face of
everything else : the owl strikes death at
midnight, the key to the tomb is lost at sea.
Alongside the busy highway, high above
Tonnelle, the great graveyard robs time of
its means and material. Egyptian graves,
styled so anyway, strange heads and shapes
and forms, the look of a Sphinx, the wings of
a dragon; all the twisted, broken tree, things
downed in any recent wind. This is truly some
land of the distant dead. And then there is she :
and there she is, wearing whatever she chooses
to portray, a face-riding chimera, got to be close,
a movie-maven wearing but panties and a bra, a
dowager swimming in a steel moat, nothing at all,
but always something. 'I can fly out, unlike anything
you think you've seen before.' No, no, please now, save
me that catalyst, and let me escape. This land rolls
down
the watery hill, draining deep death to the highway
below.
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