Sunday, November 1, 2020

13,192. RUDIMENTS, pt.1,083

 RUDIMENTS, pt. 1,083
(open fires burning)
The Winter of 1967-68, as I recall,
was a long and bitterly cold one,
Besides being mostly dank and
gray, what it meant to me were
first snowfalls in NYC, and a
sort of near-constant, mornings
of 12 degrees, carryover well
through January and into February
as well. As a child, one absorbs
all of that amidst the small joys
of local home-life. However,
as an 18 year old in the big city  -
fresh and untested to boot  -  what
it meant were dirty and slushy
streets, so soon after the urban
beauty of the snowfalls themselves,
as to be instantaneous transformers
of scene and situation. Trucks and
cars, screeching and blatting in
clogged, snowy traffic, enormous
lines of early morning snow plows
trying to, but never succeeding, to
beat the garbage trucks and delivery
trucks down and along the selfsame
streets. Chaotic tumult. Why all
this would attempt to all go one 
at once, always baffled me. I had
a friend who always used to go
on, contrasting the foulness of
NYC (though he was there), with
the Scandinavian countries he so
admired : How, in large snowstorms,
and in general Winter-climes, they
would  -  instead of fighting it  - 
simply shut down for 3 or 4 days as
the people absorbed and appreciated
the scene. In opposition to that, all
around us was a filthy, NYC fight
and struggle against the elements.
It was all probably untrue, most
probably just romantic drivel once
heard about another culture, yet, and
nonetheless, he fell for it and preached.
I listened, understanding the image
he painted, but little else.
-
This was  -  as an aside  -  the same
friend whose theory was for each
home to have an open-fire in its
basement, tended and always burning,
as central heat so that a constant
heat-rising updraft would provide a
sort of reverse-gravity warmth for
each home. He called it, as well,
the "Scandinavian Method,' which
I always thought referred to sex but
did not. (More cultural lies). His
heating theory seemed to have a
lot of holes in it, to me  -  all that
procuring of wood (open fires?), 
all that clearing of ashes, cinders
and the like  -  let alone the nervous
wailings of the usual fire-academy
types, for whom, of course, and of
this would be unacceptable  -  even
the warmth. But, some people dream,
others work their checklists.
-
Snow turns so quickly to slush, at
corners and curbs : Not just slush,
but also some weird color of death,
an easel-made concoction of white
and back, soot and grime, that the
resultant 'color' is not that at all but
rather a hastening, sick-looking
paste the pallor of 'funeral.' Autos,
as well, get coated, first with a
lovely, white, snow that disguises
all incidentals and decorations of
the car's design and leaves only a
strange sculptural approximation,
by form alone, of what the 'vehicle'
is, in shape and size, also approximated
and embellished by the wind-drift and
swirl of snow and ice. That too soon
turns brownish and speckled by
splash and muck, and often it stays
for a week or more, progressively
deteriorating. A strange parallelism
to Life itself, I always thought, as
we alter, cover, and change shapes
ourselves, whether by self-initiation
or by the outside influences around us.
For the former of these, of course,
cars have no choice. But, then again, 
we too  are like open fires, burning.
_
So, in any case, my fraught introduction
to NY Winter carried the weight of
new things; one after the other, pounding
me as observer. I learned soon, of the
cold, the real need for shelter (any
homeless situation, in those days, was
much different. No one rounded anyone
up, and the Bowery was always open
and not yet the stylish, hipster-drinking 
dive den). I guess what I'm attempting 
to say is the difference between worlds 
(of now and then) was stark and striking.
I needed shelter; and at least had that,
even though most else around me, in
those early months, was unsettled.
-
There was a NY song, from a year or
two previous, that I always recalled
then. It was by the Mamas and the
papas  -  as they were most stupidly
called; some California harmony
group of a base ineptitude. This 
song had been written by a 'Denny' 
somebody, I think, who wrote the
groups tunes. It was about one of
their visits to NYC, to sign a contract
or meet with the agents of their
record company, and it oddly addressed
the qualities of NYC as seen by Los
Angeles eyes. 'All the leaves are
brown, and the sky is gray. I've
been for a walk on a Winter's day.....'


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