Friday, June 1, 2018

10,855. RUDIMENTS, pt. 333

RUDIMENTS, pt. 333
Making Cars
I won't belabor all this
because the aspects of my
life that impinged on the
motorcycle scene were
mine and mine alone, but
the latter-day reflections
on it still startle. Mostly
I don't know how I did it
and survived. Breakneck
speed, idiot antics, and my
sidekick Al. (Cohol). Now
it's all just an afterlife and
I feel like one of Custer's
men who somehow got
away. Or even Custer
himself, though I never
had red hair. Whatever it
was, through me, it was all
vivid and and real. Authentic.
-
See, that's a laugh line.
Custer used to always line
his men up and lead them
in formation to battle, etc.,
and even in battle, while
having the trumpeter and
whatever band-thing they
may have had along play
'Garry Owen,' an old 
Scottish drinking song,
actually, which he'd adopted
as his regimental marching 
tune. I could never understand
any of that in old musical
terms  -  fife and drums,
maybe a trumpet. Acoustic
guitar? I'm not sure they
did those things?
-
Back in the early 1960's, 
as all that folk music stuff 
was coming through those
Greenwich Village pass-the-hat
places, the Gaslight, the Kettle
o' Fish, Cafe Wha and the rest,
a lot of the same poeple we'd
hear of later were together then,
as nobodies, all doing the same
junk  -  Dave Van Ronk, John
Sebastian, Hugh Romney (as
'Wavey Gravey'), Bill Cosby,
Tiny Tim, Bob Dylan, Tim
Hardin, Harry Belafonte, 
Richie Havens, Phil Ochs,
the eventual Peter, Paul, and 
Mary people, etc., etc. Most 
of them had their concocted 
street stories, their new or 
falsified names, their little 
schtiks, their own repertoires, 
etc. Most of all them, in 
one degree or another, by 
1966 had made it. One of 
those guys (the subject here
of this little tale) was Fred Neil.
He was a busy guy, almost as
straight as they come, and did 
eventually cash in a little when 
his 'song' became the theme song
 for 'Midnight Cowboy,' the film.
(Everybody's talkin' at me, I don't 
hear a word they're saying...').
He sang folk songs, like the  
rest, yes, - and they  all shared
the same song-chest of old
tunes they'd draw from, adding
a claim of their own authenticity
to the hard-scrabble misery songs
of the old, black bluesman and
spiritual and slave songs. It
was always striking me as
pretty funny when I'd hear one
of these guys with an otherwise
fairly impeccable, white-boy
lineage, maybe even Jewish,
rolling over to one of those
old black-talk, garbled tongue
accents for their authenticity in
pulling over a 'borrowed' song.
Yeah, sure. The only one, really,
who never did this was Dave
Van Ronk  -  at least he had
some principles. Just sit and 
listen, for instance, to Fred Neil
singing 'Walk Me Out In the
Morning Dew, My Honey....'
It's hilarious, and if it never
occurred to him that it was
ridiculous when he sang it,
(he's dead now, poor old Fred),
it's even funnier. His version is 
pretty pathetic  -  listen to it as
he verbally dots every 'i' and
pronounces every final syllable
and clicks the proper 't' off each
time. Just like any old black guy
would have down back in Turkey
Holler, Georgia or wherever,
picking and strutting while 
sitting on old Hiram's porch. (It's
funny too, because in the Midnight
Cowboy song, he clearly dropped
the 't'). The chumps in the Grateful 
Dead, on their earliest album, 
1966 or whatever, they tried 
their hand at it too  -  believe 
me, it's much better. At least 
it's got life and some jammin'  
-  instead of Fred Neil's
schoolboy properness. And
they weren't no Southern blues
cats either; they were the
'house band' for the 'Frisco
Hells Angels, and before 
that they were 'The Warlocks!'
Go figure authenticity and
then come and tell me 
about it. Like with the 
Angels at Altamont, in 
service somehow to the 
Rolling Stones, in the middle
of some fag song a dude gets
killed. Yeah; that's authentic.
-
I was never one much for 
putting things on, and I think 
that had a lot to do with how 
and why I got muddled into 
these hardcore biker-boy days. 
Short of the Marines or somesuch, 
these guys had the grit and the 
determination at least to
screw things up  -  themselves
and the world around them  -  
just as they damn-well saw to
and pleased. I respected that; 
respected it the way I'd respect 
a voter who back then would 
have gone into a voting booth, 
pulled the curtain shut (the 
old kind of voting booth,
before the electronic BS they 
have today  -  with the old
levers and cranks and all)
  - whipped it out and pissed 
on old Johnson's or Nixon's 
name instead of voting for it. 
Any of those people, right up
to the present day; I'm not just 
picking on those two retarded 
political examples.
-
There were other bars too,
numerous. In NYCity most any
bar will wlelcome motorcycle 
guys  -  because they're usually
dumb and foolish enough to drop
a ton of change for a continued
service of some lousy beer. It's easy:
You just continue to flatter them, 
once they're in place, play up to
their 'manliness,' show certain
scriptural advances to your own
female body as the word slowly
made flesh, and, Hell! these guys
are set for the day and I'll have
another. Did you ever wonder
why someone otherwise bored
with life, these days, will drop 
down 23 grand and then probably
soon another 3 or 4 for 'imporvements'
and hop-ups, and then buy 'gear'
like they too were girls going out
of style? So can they race from
bar to bar on their old, clunker,
agriculturally-based pushrod
engine? I did, and I soon realized
you could walk to any bar you
wanted and sit there all day for
a lot cheaper than all that glory
and glamour had just cost you.
Of course, I'm a slob and have
always been  -  old boots and
second-hand clothes suit me 
fine. The first people I ever saw
with cell phones were 'Bikers.'
The first people, before that, that
I ever saw with 'Beepers' were 
'Bikers!' I never had neither and
never had anything special that
anyone needed to tell me that 
badly. If they did, they'd write
it on a board and throw it 
through my window. Biker
bars were mostly nothing
(biker bras were mostly nothing
too, but they were on girls),
but trouble because there was
always some sort of posturing
going on  -  if not about bikes
and riding, then about clothing 
or girlfriends. Let's call them
that anyway. Face it, most every
girl was a wandering event
waiting to happen  -  the biker
ethos attracted them like flies
to the Pope's crap. It was as
predictable as the second 
coming (no pun). So that bit 
of tension was always in the 
air, and if club matters or other 
competitions were added in 
and then the icing of alcohol
was poured on, well....goodbye
nurse and that's all he wrote.
Believe me, I've seen it most
all. I saw, one night in Hoboken,
a drunk asshole get the shit
beat out of him so badly that
people didn't know whether
to call an ambulance or the
morque. This was at the old
Cadillac Bar, next to the (also)
old Clam Broth House. 10 or
15 motorcycles out front,
piled and parked wherever.
It's about 114 degrees outside,
the place inside is noisy and
packed, filled with drunks, 
losers, losers' girlfriends, and
us. Way too long there; it's never 
good to stay in one place, with
the conditions I just described,
for more than maybe an hour 
and a half without again hitting
the road. (No, in motorcycle terms
I don't mean crashing, I mean
moving on to the next place).
You just keep moving on; we
used to call it 'recreational
drunk driving.' [riding]. Anyway,
we're standing outside with beers,
(you could still get away with that
then), guys are smoking and 
standing around, ogling or just
talking, and this poor schmuck,
and I mean that in every aspect
of the word, comes stumbling out,
almost drooling drunk, hardly
knowing what he was even doing,
and proceeds to, let's say, publicly
urinate  -  emergency conditions,
line inside, etc. He's so piteously
over the line that all he's doing
with his stumble and hose is
pissing on motorcycles. Just
pissing away. Here's a hint:
Don't ever do that.










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