Monday, February 3, 2020

12,525. RUDIMENTS, pt. 951

RUDIMENTS, pt. 951
(old world, new flip)
I never got to drive a Messerschmit,
though I always wanted to. They
were pretty unique and to me they
represented another world of matter,
older and harsher, trying to break
through. Everything about them
spoke something I couldn't touch.
-
It was from another world, more
or less, one that came out of World
War II : ruins and internal damage
to just about everything. The
idea remained in people's heads
that they had kept the right of
mobility in spite of all else. The
Messerschmit was like a spider,
crawling over the ruins, and it
probably brought Germany
itself back from Death.
-
I never had much else to say
on that matter, until now. My
father, when I was young, had
given me, from somewhere, a
really nice, oversized wall-poster,
and he'd framed and hung it on
my wall. It was maybe 20x28
inches (a guess) and present
the entire line of Chevrolet cars
through the years, like from the
1920's right on up to whatever it
was, 1958 or '59. There wasn't
anything there that looked like
a Messerschmitt, not even in
approach or spirit. I don't think
GM had even taken that approach
to anything, and as far as I could
tell the only thing that American
cars did was get bigger and
fatter, expand and grow
hilariously into other things
than cars or transportation.
That entire point had been
lost and resigned. Taken away.
It had all, instead, become a
sunning sport merely to decorate
the highways of America.
-
There were so many 'possibles'
that this country never took. The
mind goes numb thinking about
it: Not only just the small, tiny,
three-wheel cars but so many
other things. Everything instead
came out to bloat, ooze and grow.
It was always that  sort of thinking
that seemed to take root, in all
aspects, as 'American.' Large, and
stretching boundaries  -  and maybe
in a certain way that's good, though
I'm not the one to determine that
because I think it isn't, but there's
nothing 'fine' about large. It smothers
its own subject/presence.
-
The American experience incorporated
BIG lies and suppositions, big reasons
for every little things, big twists of
truth and logic to make the world
spin. New American World, self-made
and self-created. When you drive over
the land and see all of this, what strikes
one the most is the immediate datedness
of the premise. Most of those big
mills and factories, smokestacks and
industries are now as dead as a doornail,
yet all they once were still blots the
land, in their huge deadness. So much
so that it's hard any longer to even
differentiate the good from the bad,
those categories each having lost
both luster ad relevance. I'm driving
along the slag-heap mountains above
Scranton, and all I see is the waste
from Civilization's demise. Long 
and slow, and faded away, from
an era now gone, what we see
are only evidences of the entirety
of the pasts old efforts at making
the machine' world of comfort.
-
Just as in the bowels of NYC, where 
I'd see the old 1960's versions of
power and efficiency crumbling,
the efforts that Humankind made
towards improvement had left
out the mind for the mass of people,
which mass swam along daily in
droves, intent on other things and
nearly unaware of failings. Like
an old world with a new flip, all the
occurrences kept striking out; a
new land like that had no designated
endings but which had benumbed
people anyway in order for them to
have been taken over by that
very vacuousness. It New York,
most the efforts went skyward;
in other places those same efforts
stretched out and spread as a
blight along the land. Killing
our plains and prairies, and 
making even the most peasant
countryside but a barrel of thorns.
In Ideal terms, the three-point
stance of the Messerschmitt then
represented, with its three wheels, a
perfect and miraculous embodiment
of a sort of mathematical logic
hat reinforced the rest of the world:
Triune, balanced logic  -  the three
parts of the Trinity, three wise men,
three days in the grave, three strikes
and you're out. The rest of the world,
following the push and the prod of
America, stacked itself, as usual,
on stability, steadiness and utility.
The four wheels of a world gone wrong.

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