RUDIMENTS, pt. 499
(the flugelhorn for the dumb man)
A lot of things happened
along the way. Half of
them, I don't even know
what they were. One time,
right outside of that 1001
along the way. Half of
them, I don't even know
what they were. One time,
right outside of that 1001
place, I had hopped in the
car, while visiting home one
Saturday, and went there
with my father. I never even
got out of the car, just said,
'Go ahead, you go in, I'll
wait.' It was very weird but
I'd been overtaken - this
may sound stupid - by the
song on the radio, (little
tinny usual AM car-crap).
It was already late in the
game, but Creedence
Clearwater Revival was
the band and 'Proud Mary'
was the song) and that tune
was the song) and that tune
was enough to drag me
down, stop me dead, and
shut me up. It had, in
reality, nothing to do with
me, or NYC, was more
tethered to the Delta and
to the Mississippi, but the
drive of the music and the
'job in the city, working for
the man every night and day'
stuff - at that moment -
was like an encyclopedic
summation of the 'anti' of
all I was about. I said to
myself, listening, 'Whatever
am I doing here?' I again
realized, clear as silk on a
a carpet, that I was simply
out of place. I had nothing
in common with my father,
nor any of those men on
their ways in or out of the
car place. I hardly knew,
right then, why even had I
been born among Men. No
longer cold I fathom what
they thought about.
-
It was a crossroads, of sorts.
-
It was a crossroads, of sorts.
And never again was I able
to even listen to that song
without the treble-bells
of worldly distaste ringing
in my head. It's still like
that. If I was ever born
with a script-in-hand, I
know for sure that it
got lost or altered too
many times. Things
gone down through
the years to haunt,
or to mesmerize me.
I was always getting
thrown or sidetracked.
Like this 'mesmerized'
got lost or altered too
many times. Things
gone down through
the years to haunt,
or to mesmerize me.
I was always getting
thrown or sidetracked.
Like this 'mesmerized'
thing; there was actually a
guy named Franz Mesmer,
who came up with the
concept and they named
it after him. He was a
scientist, and he came
up with this 'animal
magnetism' concept,
about 1850. I didn't
know much about
science, nor even care
to, but I knew right off
what this guy was up to,
or talking about. Energy
transference between
animate and inanimate
objects. Yes, as if the
world was one large
transfer-bowl between
consciousness and reality,
which I already knew it
was. The result was our
own manifested world.
Underway, and always
changing. With no fixed
points. Today called, oddly
enough, 'Quantum Physics.'
How I'd arrived there, 50
years ago and without any
education, was beyond me.
It seemed to hit right home,
in the face of all the other
'life-is-a-boring-string-of
ordinary-events' stuff they
tried teaching us. I don't
think - to put it bluntly -
that any of my ostensible
'teachers' had ever come
up against a kid like me
before. I wasn't game for
their parody of human
events. And I could see
right through them. What
it came down to was
something they'd never
even considered, and a
something which would
have shattered all their
complacent, crap approaches
to 'teaching' and all that.
I had been dead, and had
come back to life (that
train wreck, remember) -
no, dragged back, (it wasn't
quite my idea), returned
from that version of 'dead'
reading and seeing a
completely new light and
reference-compass. It, truly,
truly, did not include them.
-
-
It truly, truly, did not include
a lot of things - family and
home 'included.' (Avenel, you
were my bad tattoo, my poorly
inked prison-version of a
shoulder-blot marked by
hand. I never did have it
removed, and it sure has
faded some but it's always
there. (But like that Greg
guy from Avenel often says,
when he can get the Twinkie
out of his mouth, 'Blessed
are the poor in spirit for
they shall inherit the Earth' -
(and they can HAVE it, I
always added) - and starting
(and they can HAVE it, I
always added) - and starting
with him, gagging on his
macadam in his pestilential
macadam in his pestilential
jerk-boy way, while learning,
finally to read and write his
Mesmerized shit. Transfixed
inducement. Miasmic detail.
Robotic mis-alignment. It's
all they deserve). Voices have
always spoken to me, guiding
me, and projecting a version of
me forward. I mean real voices,
not idiots. And I was always
a card-reader, and each 'card'
presented to me represented
another working mentality,
another developed level of all
consciousness waiting for work.
-
Everything in life
Everything in life
anyway is a mere symbolic
push for the truer reality
represented. Like those
monthly unemployment
statistics put out by the
government, by which
so much policy is made,
and then - after policy
is implemented - get
altered anyway. 'Revised
statistics for last month's
unemployment report', it's
called. So bogus and so
transparent - life is a
floating, fluid, situation,
always being read, mis-read,
revised, and changed. I
already knew all that. It
was just that, all my life,
there have been clowns
trying to instruct (for pay;
they're hired hands for
lying), so that my life is
a fixed and well-boxed
scene. All the cards
presented to me had
memory-levels of their
own. Were symbolic. And
were given to me in a
sort of dream-time, a time
of halves in which I found
myself living, What was valid,
and was what not? I was
never quite sure, just worked
the card. But as if in a vast
castle in a vaster kingdom,
each was a door in a corridor,
and each door brought me to
more and other doors, each
one richer than the one before
it. As I grew up, and out, in the
same way, symbolically, as
in some aberrant Avenel,
grew into a small Shop-Rite,
still in town, then a larger
Shop-Rite, with improvements
and still on the same damned
Avenel Street, now a place of
nothing at all, and then out
to the highway, a better and
larger stream of things and
traffic passing by, constantly.
The original location now
dead. The new, large place,
replete with shimmering
crowds, a parking lot filled
with things passing, abandoned
cars and wrecked motors, yet
made 'valid' by all that too.
Expansion, of something.
-
I always had difficulty
justifying myself, yes
but mainly because I
never really knew from
where anything was coming.
Or who I even was. No
one ever understood that
about me : not friends, not
bosses, not teachers, not
parents. I belonged to
no one. I wasn't even here.
Some people just always
have made me sick.
-
It's a piecemeal dichotomy
that we get to live. The sources
of our dreams are lives, and -
funny as it is - the sources
of our lives are dreams. It's a
constant push/pull dichotomy,
and something you'd never
figure any asshole would
understand. It just goes on
in its psychic web of growth,
spreading - goodness, balm,
or defamation. The difference
lies in knowing the difference.
It doesn't lie in advancing the
lie. Back in NYC, I ran like
the dickens to get the foul
flame of a off-center source
of place like Woodbridge and
Avenel off the flames consuming
my coat. Art and creativity were
to be my masters; I'd enlisted
and re-up'd for sure and Amen!
-
Every 'ville' has its villain, and
here in Woodbridge, we've got
hundreds of them - all as empty
in the shiny head as a ping-pong
ball is to air. Light, bouncy,
and stupid as all get-out. And
- oh - that Creedence stuff, it
was all fake. Those guys played at
bayou, but they were middle-class
dolts from San Franciso, just
playing at their own version
of the Delta snakecharm.
(Goes to show - don't believe
what you don't know.
-
Every 'ville' has its villain, and
here in Woodbridge, we've got
hundreds of them - all as empty
in the shiny head as a ping-pong
ball is to air. Light, bouncy,
and stupid as all get-out. And
- oh - that Creedence stuff, it
was all fake. Those guys played at
bayou, but they were middle-class
dolts from San Franciso, just
playing at their own version
of the Delta snakecharm.
(Goes to show - don't believe
what you don't know.
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