Tuesday, June 30, 2020

12,936. DISTANT TENDENCIES

DISTANT TENDENCIES
All are boats in a distant harbor;
we may struggle, but we stay 
afloat. There are plenty of
preachments about all this,
but I pass on passing them
along. As it is, right now 
I'm struggling on a rocky
wood-side by Palenville.
-
Stories of old artists abound:
America's first art colony, those
Hudson River School painters,
Asher Durand, and his Kindred
Spirits. Had I hopes that high!
The tortuous roadway below me
was once a wagon trail; and 
they'd be gone on it for days.
-
Now only a semblance of wind
fills the sails  -  all is false, and
nothing is real.


Monday, June 29, 2020

12,935. IMBROGLIO in A Minor

IMBROGLIO in A Minor
Take the towel from your face
when I'm talking to you please.
This air won't kill you, though
I know you can't breath.

12,934. HEY, WE RING THE HANDBELLS

HEY, WE RING 
THE HANDBELLS
Mainstays, you and I, and a hundred
more, of this fixture'd crowd; though
we stand alone they see us all as one.
I stand aside the doorway as you roll
another in : wheeled cart, round tires,
small gasoline engine. I think we're
on to something. Ring the bells, 
oh carolier.
-
Have you ever seen a doomed man
trying to smile? It hurts just knowing
he hurts : Last meal, final words, a
message to leave behind; that grunt,
and the call, 'Let's do it!'

12,933. RUDIMENTS, pt. 1,100

RUDIMENTS, pt. 1,100
(chuck it right out the window)
Sometimes the things that are
the most fun to write about
weren't fun at all to live through.
Other times, looking back, I just
wonder how in the world I ever
got into the situations I'm telling.
They used to make diaries and
all that out to be frilly, silly,
girl things; but I always did
contend they were more valuable
than that. Were, in fact, historically
literate, if done right and if so
connected with events rightly.
That's how I went about it,
leaving out all that girly and
frivolous stuff. I can remember,
at about age 11, standing in
line at the local Shop-Rite and
seeing those check-out papers
and magazines they used to have
in the rack. One of them was
going on about the new 'youth
market.' Teens and such, with
disposable   -  small beans, but
still disposable  -  money, for junk.
The gist was an entire new industry
about to be born and cashed in on.
Like frilly diaries and all that
manufactured girl junk and Princess
Phones and rock n' roll LP's and
the rest. I looked at it after quickly
reading it, and just thought to
myself, 'They're crazy enough
to work this out.' And sure enough,
almost immediately, everything
began being marketed to 'kids' :
youth movement paragons. Next
thing you know, every other kid
is Ricky Nelson, Sandra Dee,
or the Beatles. And it did all
happen in  a wink.
-
In the long run, none of it mattered
at all, because it all ran down. The
whole idea of American commerce
has always been the 'next' thing;
more, more, more. It's an unending
quest for  a never-achievable
satisfaction. Like a chimera, the
closer you get, the farther off it all
is. I always tried making sure that
none of that happened to me. It was
the same desolate paradise everywhere
I went. Things were getting thrown
up every which way: one year it was
a sandy barren  or an unkempt woods,
and the next Summer it was a KMart,
or Caldor's or a Sears. Strip-malls,
tacky stores at an angle to the road
and all in  a row. When many of
the members of my family first
began relocating down to what is
now 'Brick,' there wasn't much
there  -  some seashore vacation
or second homes on low marshy
ground, and a few connecting
roads. You could still sense the
salt and the sea, the marsh and
all those boats and bays and
inlets. Now, nothing. It's like
solid ground, tons and tons built
over. I don' know how the Earth
even tolerates holding that stuff
up. And once again that more adds
value to something like the Pine
Barrens where, somehow and for
some lucky reason, it had all been
legislated to stop. Or so they said.
You can turn right on 206 by the
Carranza Monument sign and
get yourself over to interesting
old places like Jobstown and
the rest, and you may note that
there are influxes of seniors'
communities and other, very
gentle, intrusions into the fringes
of the Barrens. I'm not  real keen
on that, but it goes on. Old people
go to old people places.
-
I used to want to live to be a
hundred, just as a milestone. Now,
of course, I'd just welcome 71, and
it little matters. Jack Kerouac once
was recorded saying, 'Walking on
water wasn't built in a day.' That
sounds stupid as all get out but,
you know, it somehow all makes
sense and I understand it. Those
words are about the gift of life,
for each of us, and the powers we
have, of observation, watchfulness,
and personal discretion. That's a
real strong knot-of-a-fist to have to
take, and the strength of life, or
any value it may have, often stems
exactly from how we handle that
premise. I've been to my share now
of wakes and funerals, over the
years, and it's always seemed the
weakest of them were always the
ones wherein something from the
'Outside' had to be brought in; a
military honor guard, a retiring
of the flag, or something of that
nature. It was always melancholy,
and all it ended up showing was
how few more vibrant connections
the deceased had among the living.
They make a big deal out of the
honor guard, and the rigid ritual,
the refolding of the coffin flag, and
all the rest. No one knows what to do;
it's boring, and everyone just sits
silent as the tired routine, as boring
as its found, runs its course. I'd rather
the dead guy with five loud drinking
buddies, punching around each other
with tall tales and dumb banter. At
least you know that guy lived. 'Bury
me in my shades, boys,' as Shel
Silverstein put it.
-
All those veterans and WWII guys, it
was all sad. Going down by Fort Dix,
out that way somewhere, there's this
big military burial ground, like Arlington
National, in DC, but this one is Jersey's
own. General Doyle Military Cemetery.
I have kin there, family members and
friends. The cemetery part of it itself
is fairly boring; just acres of flat stones;
no memorial or markers or obelisks
or crypts and mausoleum. It's as rigidly 
formal and strictly laid out as any
military procession. There are weird
names down there too  -  Arnytown,
(with an N, not army) New Egypt. 
Part farmland still, part scrub, and
part just 'just out of the pinelands.'
I never really got into the military
ideas of lines and strict sequence 
and all, and I do kind of hold it 
against them that they enforce all
that stuff even in death. Screw the
regimentation; a dead guy should
rest easy, at ease, among trees and
shrubs and wild greenery, with the
rolling hills and all the amplitude of
nature, and life too. Heck if Death is 
for nothing else, it's for the living,
not the dead. They should chuck
that regimentation stuff right out
the window.


12,932. RUDIMENTS, pt. 1,099

RUDIMENTS, pt, 1,099
('solitary, poor, nasty, brutish, and short')*
It wasn't movieland, though
probably there had been a few
crime films done there : dumped
bodies and isolated slayings. I
never knew of any 'stars' that came
out of down there, excpt maybe that
one guy, from something Weapon,
I think  -  Bruce Willis. Maybe, or
it somehow sticks in my mind. As
a rich guy, coming back to town
and buying up the whole place, to
keep it whole. That would be a good
film. Like one I saw called, 'Local
Hero,' long time back; that was a
good one, and really well done.
Scotland or Ireland somewhere,
some helicopter bigwig sends a
flunky out to buy the town and 
take it all for mineral rights or 
whatever. But the flunky, once
landed there, falls in love with
the place and its people, and he
gives up on the whole program
of exploitation and ruination. It
all turns out nice in the end, though
I really can't remember much. I
think maybe there was some local 
beauty or some romantic interest
involved too, that overruns 
everything, and then the bigwig
Corporate takeover tycoon comes
out to see what the heck was going
on, and I think he falls for the place 
too. I don't ever tell people what 
to watch or anything; I don't tell
anyone anything actually, about 
that stuff. I just write, whatever I 
feel. If it fires up an interest for
someone, all the good. Find 'Local
Hero' somewhere. I bet you'd like
it. Back to Bruce Willis, heck you'd
think some Hollywood wreckmaster
like that could have come back, at
least, and plunked $300,000 down
to save and preserve Buzby's. The
old one, not the tourist trap that
failed. Heck, everything failed.
Guys like that though, they ought
to get more involved. There are
so many write-offs for crap like
that when you're wealthy he
could have probably made
money doing it. What a bunch
of crap this American, banking,
world is. Somebody that needs
it, they can't get a thing. Some
guy like him, and a thousand 
others, already flush with dough,
they can get whatever they want.
-
My time in Wrightstown made me
think about poverty too. Government
poverty, actually, I could never figure
out how, 30 miles to the east, maybe,
millions of dollars were being dumped
at the very shoreline, of beaches and
the old fishing piers and all, just to
build some fantasy-kingdom of
gambling and show meccas for a
hundred bussed-in bozos a minute
to regale in, while 5 blocks inland,
the entire, pathetic, predominantly
black-ghetto'd and white-trashed,
existed in abject squalor; crime
and drug infested, without jobs or
any incentive to find one. What 
they'd be offered at the new casinos, 
after the fancy-assed croupiers and
gaming people were assigned there,
would be service jobs, cleaning up
sheets and shower stalls, or frying
chicken and cooking food for the
imported AC bus trip crowds, from
dismal terminals like Sayreville, or
Bayonne or Union City. Those buses
were lined up for blocks, when it
finally got rolling, and all that minimum
wage, 1980-level, slob work almost
became mandatory, and the locals
still seldom wanted it. Meantime,
over, inland, by Chatsworth and in
all that woodland sand, you could 
find the same sort of situation,
incredibly enough, and sanctioned
by the US Government, wherein
the same sorts of people, though
maybe way more white, got the 
same sorts of jobs servicing, at
feeble rates, the Military! Its brass
and its visitor, the strips of motels
and stay-overs, and the whole town
of  Wrightstown too. What a strange
way to treat, or mistreat, people. I
saw it all as a dead-end, one with
little or no exit. Everyone did seem
oblivious to it, I'll admit : No bad
attitudes nor any grumbling about
the whole deal. None I ever heard
anyway. Probably the saddest day
in that town would be if the whores
ever got to unionize.
-
There was a liquor store nearby, 
where I bought some booze, and 
next to it was, as I mentioned, one 
of those dollar-store deals selling 
all sorts of cool and outdated stuff; 
it made me sad to see some big
white lady even buying outdated
cough medicine for the scrappy
little kid she had in tow, who was
hacking away. It was a one of a 
kind place almost, in a far-off 
burg like little old Wrightstown. 
We went in there too, and bought 
bunch of cool stuff, New Year's 
Eve, daytime. That's where I got 
the cool sack of cruddy pens I
mentioned, for like 79 cents. 
Fair warning, though, everyone 
else in there, working OR shopping, 
was fat, foul, annoyed, and impatient. 
That I could NOT figure. But then 
too, I realized, that was probably
really almost racist too, on my part, 
or white-trash racist anyway; why 
should I make the assumption that 
these odd bumpkins in their faraway 
land of strangeness, should be happy 
and glib in the conditions I just
described? See how there really 
are lessons to be learned and gotten 
from everywhere, if a person just
tales the time to think, and stop,
and look around.
---
*"No arts; no letters; no society; and which is worst
of all, continual fear, and danger of violent death. And
the life of man, solitary, poor, nasty, brutish and short."
..........Thomas Hobbes

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Sunday, June 28, 2020

12,931. FLANNEL-LINED JEANS

FLANNEL-LINED JEANS
The bridge down the end of my 
block was never much. I could
take it on a dash, whether up
above, along Rt. One, or down
below, where it twisted and turned
at the railroad lanes. Junkyards all
around, and a small field nearby.
We'd play some vicious football
there, until somebody died. Or so
it felt. The only things that died
were dreams, really. Those Squillace
brothers were something else, and
we all had a bound and a reason
for every step.
-
It's a rambling world that gives no
oasis; we step in muck and muck
has us. By the time we're done, it's
done too. A fiery finish to a lethal
crash, or a bland nothing else, as
we breath our last. Man, how I
hated those flannel-lined jeans.
We called them dungarees, back
then,  and thinking back, how it
all seems like we never took them
off at all. 

12,930. PRESENT TENSE

PRESENT TENSE
(turnabout is fair play)
Nothing brings me joy, and my
attitude towards living is undergoing
change. I want to be nothing again.
-
Mary came by again today : the
dog-eared ensign of some felonious
army of deeds.  Bringing water to
the thirsty; new soil to the seeds.
-
I may  -  after all this  -  warrant
a wiretap too. Just think of all
they could find out: Tomorrow's
winning lottery numbers, the 
code to get into the vault, the
numbers to the Mayor's secret
accounts. I want it all? Is that
my fault?

12,929. RUDIMENTS, pt. 1,098

RUDIMENTS, pt. 1,098
(my future ex-wife)
There's an old Bob Dylan song,
written when he was a kid, about
a Minnesota or Minneapolis or
someplace there, a boys' reformatory
and prison. It's called 'the Walls of
Old Redwing.' Redwing was the
name given to the prison, kind of
like we call our prison, here,
Rahway University. And some
people actually believe that, as
they equate internment with
education. Kinda' fits, perhaps.
Anyhow,  I felt like that, within
the 'walls of old Wrightstown,'
on that New Year's Eve. It was
a bash. The entire sordid town, it
seemed, turned out; for something,
and I'm not sure anyone knew what
it was actually supposed to be: a
brawl, a huge drunken revel, a
pick-up joint, a food-fest, etc. I
imagined that a lot of the people
I saw, I guessed anyway, must
have had service jobs at the military 
bases. The soldiers and all couldn't
possibly do it all by themselves.
I was sure they needed regular
civilian staff, for anything from
maintenance and garbage, to cooking
and grounds and buildings. These
locals may all have looked like
groundhogs out of their holes, but
the bar-dollars seemed plentiful
and the booze was flowing.
-
What was it I was faced with, along
with my wife? Her drink was a long
line of vodka and grapefruit juice
tumblers. I don't know what that's
called, but I think it has a name.
She usually asks for Absolut and
grapefruit, but in this place as I
recall, Absolut was way out of
their league. One was happy to
merely get some rotgut called,
maybe, 'Boris' Best.' I drank the
usual swill beer of America  -  
wicked-water Budweiser. T'was
years ago; now I couldn't quaff
Budweiser if it was intravenous.
She, therefore, was suitably spaced,
and early enough. Enjoying herself.
I was left with one or two overly
friendly barmaids ('They're in it for
the money, asshole; don't get a big
head, fool'), with the usual bend-over
massive cleavage and sure that I was
seeing it. The one girl had a breast
tattoo that read 'Inflatable Rainwear.'
OK, that's a joke I just threw in.
The other one really did work for
Double D Construction, though she
may have been a guy after all.
-
The remainder of the place, much like
Old Redwing, was walled and confining,
dark and smelly, and loud. If you've ever
been subjected to some four plus hours
of lame go-go dancing and half-strips
by the likes of little Johnny's mom and
Carol's aunt, you'll understand  -  sweat
dives, swinging pasties, until they're gone,
even little fancy ones with frills and fans.
At least, (for my sake) they kept their
dance-panties on while they shugged at
the pole. 'Pole-dancing' was not yet a
commercial sport with languid wives
who sign up for it and practice, and 
learn squats and dildo techniques too,
for 'Hubby.' (Never could stand that
word). Don't get me wrong, I ain't no 
prude, and I stayed interested  -  I've 
always liked real estate, and these were 
at least an acre a lot.  (That reminds me of
an old Biker buddy named Bill. He used 
to go up to girls, at bars, mostly, and
say that he'd heard they sell real estate.
Then he'd grab his crotch and say to them,
'Tell me, is this a lot?'). It was funny. 
All those girls! Amateur kit-kat dance
club graduates, making good, at their
new gig in Wrightstown. During the
breaks, yes, there was juke-box noise.
Confederate music. The Muscle Shoals
Sound. Lynyrd Skynyrd and the Allman
Brothers, for sure. That whole raft of
entyycable 'Merykin bomb-town musyc.
To use a Skynardyism. Girls liked it too,
and they could hardly restrain themselves
with their own table gyrations between
dance acts.
-
Plenty of food - the usual catered bar drivel.
What is it with old Baked Ziti? Even in the
finger-code of the Pine Barrens that stiff
is awful  - crusty, overheated, dried out.
Everything was laced with salt too, so as to
keep Johnny Reb drinking. No, wait, that
wasn't Johnny Reb. That was American
soldiering, at leisure. Drunk enough now
for? Fingering girls, exposing breasts,
tongue kissing to death the nearest
free-lance female. I didn't even go out
back, or down the street to any of those
in-a-row motel barracks things. Probably
rented, on New Year's Eve, for 20 minutes
at a time. 10 Bucks a throw.
Yep, had to get out of there. I told the
sweet bargirl I was researching a scholarly
book on base-towns and their influences
upon local cultures. She thought it was
cool and wanted to be in it. I said, 'Sure,
no problem. Wanna' be my centerfold.'
She laughed, and the big drooly bouncer guy
nearby, who'd I guess had been listening,
came over to ask if I'd always been that
funny or was this an aberration  - which
he couldn't actually pronounce, and which
came out more like 'infestation.' I think
that was it. I said, 'Sorry, I got ahead of
myself, but we're leaving anyway and I
really am writing a book. Happy New 
Year.' (It was about 2:15 by then).
-
I rounded up the goodly wife  -  or, as
I did used to call her, 'my future ex-wife.'
But that never worked out either. 




12,928. RUDIMENTS, pt. 1,097

RUDIMENTS, pt. 1,097
(a thought-dream delivered)
As for being, that was
another course entire. In
the Pine Barrens, from what
I noticed, things lasted forever
and 'being' was stretched way
out. A part of it was timelessness,
I guess - like I mentioned before,
nothing ever seemed to happen.
There was this one spot, and I
have photos here somewhere,
where two identical 1953
Plymouths were out in the
sandy roadside, side by side,
just sort of stuffed in, off the
road, at a right angle to the road.
The paint on each had returned
to the elements; little trails of
light rust, in an almost perfect,
faint-rust color, ran along the
sides and old chrome pieces.
Which had not, by the way,
seen a shine since Noah was a
sailor. In each case, the original
paint color was debatable, and
probably could have been argued
all day. Sunlight over the years
had fogged the window glass
to opacity. It was just really odd.
Even the little hood ornament
boats were still in place on each.
-
Some things, over time, just fade
away  -  usefulness and utility pass
off. That happens most especially
with old cars  -  it's a unique and
tangible way of marking time or
eras. What kills it all, by removing
it from that mystery area of time,
is when things like that get restored.
Houses too. Places in general. I was
always of the vibe that things ought
be left alone, but any one of these
sorts of cars or houses can be taken
from their reverie and passably
reintroduced into a modern stream
of time, for whatever reason. It just
ruins everything to again see a '53
Plymouth, or any other car, all done
up over again  -  out of time, proud
of its new geam and paint and
modernized engine or this or that.
I draw a lot of lines, and that's one
of them. No one seems ever to
thing about he demands of time, or
the call for, quite often, things to
just 'stop' in their time, and stay
that way and there. I loved the
Pine Barrens for those reasons.
-
I never saw any black faces in the
Barrens either. I'll have to admit to
that. What I saw was white, and
mostly elderly to. Or at least over
60. If that's old; I'm not even sure.
Old ladies seemed to run a lot of
things  -  like at Buzby's. Whoever
was running it last I was there was
just an elderly woman, fond of the
life she could tell of and sell by
bits; like accompanying props:
Maps with legends; old photo
and postal cards; mugs, tee-shirts,
and more. In my experience, I've
found that things always run down,
sort of decelerate to a point of
breaking apart from the resistance
they face  -  like an old space capsule
or something falling back to Earth.
The atmosphere grabs it and all
that rash and strangely violent
slowdown starts ripping it to shreds.
It turns into space debris, and the
next thing you know it's falling in
a hundred pieces over some desert 
or little nowhere town somewhere
and the news wires show some
cranky old guy pointing to the
hole in his roof where the space
chunk rained down. The news
guys lap it up, the idiot lone guy
runs on, and the world turns.
Generically, everyone got some
percentage of asshole built in.
-
If you watch some ancient Twilight
Zone or any one of those old black
and white TV early-weird episodal
dramas, they were on to something
but they never quite could fully grasp 
what it was. Rod Serling, Sterling
Silliphant (those were always curiously
in-a-row names to me, of two early
TV writers), and the rest, they only
blindly put their hands out to see
what they could grab back from 
the eerie air around them. They
usually for the theme, but miffed
the details. or, perhaps, they got the
details but screwed up the theme  -
from not understanding it or not 
being spiritual enough about it. 
That's what was always missing 
to me. BUT, the odd zeal of a
valuable timelessness was exactly
what the old Pine Barrens captured.
You could be there, far-off, as if in
a cloud of wonder or a space from
another closet of being. There was
no ned, ever, for the present day,
which is probably why t was always
so jarring to witness those fighter
jets and transport planes overhead
on their training missions from the
Air Force Base. Thos juxtapositions
were, in and of themselves, Twilight
Zoney enough! A thought-dream
delivered by supersonic low noise!
-
One New Year's Eve, I'd guess it 
was 1988, maybe '87, my wife and 
I decided to spend it in Wrightstown, 
the Pine Barrens area home of the 
installations of the Army (Fort Dix) 
and the McGuire Air Force Base 
people;  just to see how they lived,
what they did, how loosey-goosey 
these military nitwits really got. It
was a cold, but not freezing, night.
Low fog, heavy misting, cold, wet
air. We turned at the National Auto
Dealers Auction place I mentioned
a chapter or two back, and drove
along this long, dark, misty and
sorrowful road. Am occasional
waler was seen one or two with
their local -ride thumb out. Upon
reaching Wrightstown, all one sees 
are the usual corners and corner
stores, like a low, ramshackle, built
of wood, encampment. Liquor stores,
a few junk shops, then, now the
sorts of things called 'Dollar Stores,'
with like wrapping paper, smokes,
a hundred cheap pens in a plastic 
sack for 79 cents. Ramshackle all.
The usual convenience store crap,
a hotel or motel or two, gasoline
station yards, twisty homes adjacent.
Every 2500 feet, it seemed, another
bar, dance bar, go-go bar and dive.
It was New year's Eve, remember,
and the place was just getting started.
We picked a kind of go-go bar with
free food already put out, loud, ugly
noise, a crowded bar, and a half-lit
stage with a few dishevelled dancers
on it, in various stages of dance undress,
hanging desperately onto silver poles.
Their moves and rhythm, all out of
kilter, kind of forced anyone's rapacious
eyes to watch the jam and jiggle instead
of critiquing the dance. Everywhere
around us were what seemed like either
naive Kansas boys, off-duty, looking to
to get laid, (if you've ever studied the
Civil War and its issues, and read about
'Burning Kansas,' these guy wouldn't have
lasted a minute), or stern-looking militant 
types, always angry and on about something.
('I joined the Army to learn 'bout guns!').
The birth of today's right-wing militia
politics was probably just getting started,
then and there. Probably left-wing too;
celebrating its own New Year.