Tuesday, June 8, 2021

13,642. RUDIMENTS, pt. 1,183

RUDIMENTS, pt. 1,183
(slow-motion default)
I have led several lives, and 
I still live one of them. Or 
more.  I usually like dogs. 
Things that bother me about 
dogs, however, are: Being kept 
too skinny. I had a friend once 
who had a Doberman, and that 
dog was nearly skeletal, or kept 
nearly skeletal anyway  -  if you
know the sleek and streamlined 
shape of a Doberman Pinscher, 
you can visualize what I am saying. 
This dog, and others too that I have 
seen, was kept nearly - it seemed
to me anyway - emaciated. The
underlying bone structure of 
the creature had more presence
than the creature itself did. The 
owner here would constantly
go to lengths to correct others, 
saying as to how a dog is NOT
supposed to be well fed, or kept 
fat; that the look of that  Doberman 
was the right and the correct look 
and there was nothing amiss  -  '
and perhaps there wasn't, but it 
was an uncomfortable dog to 
see in any case. It went so far 
as to one day, after a long, drunk 
day of Biker party frolic and
wildness  -  all the usual  -  a 
knife fight broke out between
that owner of the Doberman 
and whoever it was who had
last crossed the line of 'one-too 
many cracks' about the 'starving'
dog. (Of course, alcohol had a 
lot to do with all of this). Anyway, 
on that open field, and with the dog
watching, as well as about 60 other 
people, in their own and varied 
states of confusion, alcoholic daze,
pureblind interest and curiosity, 
and wonder too, these two mad 
gents went gravely at it; each 
brandishing some sort of swap-meet 
sabre or 8-inch blade anyway, purloined
for the occasion by some sorry, nearby, 
knife vendor. As it went, it was mostly 
all a pantomime  -  a 'knife-fight
'show' in which, I'd figure, neither 
guy meant to harm the other, for
if he did he would simply have 
done it, at once and quickly. (In 
theater, they always say something
like 'The gun that's introduced in 
Act One must go off by Act Three'.....
of course meaning 'Don't bring it out
unless you mean to use it'). These 
guys ended up looking gravely
foolish and nothing else  -  wobbly, 
dazed, and drunk, barely able rightly 
to stand up, but doing instead some 
very bizarre biker-knife-ballet of 
the most ridiculous proportions. 
Lunge and thrust, fighting but 
the air. Like those boxers in a ring 
who you see doing more clutching
than boxing. The engagement's all 
in their head. (Funny, how I said 
'gravely foolish,' instead of 'bravely 
foolish,' which is only one letter 
away but with desperately changed
meaning).
-
The dog survived, for a ripe old age; 
alas, they're both gone now, owner, 
and dog, but the story lingers on. 
-
I think that 'West Side Story' could 
not have better portrayed the grace 
and roughness of that moment : two
gruff Morandis dancing and swinging 
with a lethal blade each in their hands. 
Any Navy SEAL would have cut down 
the scene to about 15 seconds, and
been done with the other fellow in
an instant, but these guys went on 
and on, oddly circling and swaying, 
with a clutch and a hug. Totally
crazy, and  -  to make it even 
more so  -  those larger, Biker
guys who did eventually step 
forth to break up this scene, added
their own hilarity to it. They were 
sort of, themselves, play-acting at
a bravery where none really existed, 
due to the fact of some weird and 
basic insincerity to the scene itself.
To wit: No one was actually ever 
going to get hurt. No 'bravery'
was actually even needed, just 
more a willingness to take on
the referee role and do it to the 
utmost, eventually (bravely)
disarming these two goons, 
settling a starving-dog argument,
placating a restive crowd more 
and more out for blood as the
minutes ticked by. Refereeing, 
after all, itself bears a certain
quality of dance and ballet, and 
in this mix it added in well
with the aplomb and self-discipline 
needed to avoid that same flailed
blade whose mission was, more 
than likely, 'anyone' rather than 
an opponent. Of which there 
really were none.
-
Mass Hypnosis, hysteria, and 
the madness of crowds. Those
are old nuggets of ideas, written 
about for years and years
before, about the behavior of 
social-crowds and the mass
movements of people and ideas. 
And manipulation as well.
But 'Manipulation' takes a 
stern and conscious hand, riding
with some superiority over the
situation it creates. This had 
none of that; it was all just a 
sloppy mess, headed nowhere
and, already as we watched, in
its own, slow-motion default.

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