THINGS ARE DIFFERENT NOW
(Morristown, NJ - George Washington)
1. THE SONG OF MIRIAM
Oh how I hate making myself problems;
bringing up matters to haunt, things which
I must do. Why did I kill the goose, that
one with those golden eggs? With the idea
of rebirth, some silliness comes forth and
I want to begin something anew. If that's
so, then why did I stop the previous? The
lines of my pretzle'd logic are pretty
endless. All I really seem ever able
to do is go backwards.
-
On some forms of matter we probably all
agree, while on fifteen other things we
never can but it's all the same anyway, as
politics takes its steamy toll and brings
all its steamy bedfellows back again.
-
In the middle of Morristown, there's an old
cemetery, and it's laid out geographically,
in a way not done now; the compass points
are marked, the graves are aligned to the
Heavens and the constellations above. It's
all rather strange, yet it's ringed with
churches - all that rather heavy, symbolic
Masonic influence, just like that capstone
eye at the top of the pyramid on the back
of the dollar bill. I myself have walked it -
quite odd, an angled hill, the rest of the
town grown all around it. It's basically
ignored, the way a crippled cousin or
something that makes other people
uncomfortable, is ignored. No one
deduces a meaning or cause from this,
no alignment on our own parts any
longer with things of the heavens
or the cosmic world. You can read
about it here, or go there, or look it
up, no trumpets will blast, no bright
images will scorch your face.
-
I've always felt that the marks left
on the face of Moses, after his Mt. Sinai
'interview' with God and the scorching
of the stone tablets with those
commandments, and the reason no
one could 'look' at him, and go there
with him, and all that burning
bush stuff, quite frankly, was because
of an alien craft, (at a certain point it's
it's all 'words' anyway. The years of using
'God' as the word have made 'Alien' as a
word, though not as a concept, unfitting to
our ears. Same thing really - that's
the power of 'words'), lit down on the
it's all 'words' anyway. The years of using
'God' as the word have made 'Alien' as a
word, though not as a concept, unfitting to
our ears. Same thing really - that's
the power of 'words'), lit down on the
mountain top, seemingly as fire in
the bushes - primitive man had a
hundred ways of stating the obvious
in what we've taken, years and
years later, as euphemistic
mis-translations. The presence of
all this Heavens placement in the
most simple graveyard attests to,
for me, the cosmic presence of greater
things in the past. We've scrubbed it
all down and ruined everything. People
fight to the death over what's 'symbolic'
or 'allegorical' in the Bible, when
really they shouldn't at all. It's
obvious to me we were made by aliens,
scientific dewdrops, machined and
calculated, and placed here to do their
bidding. In wonderful straits, living
beautiful, long lives. It all got screwed
up when there was a bit of warfare
between the space-travelers - big
blowouts, exploded planets, etc. All
the myths and stories of God, Gods,
interaction with mankind, Devils,
fallen angels, serpents, half man-half
beast experiments left to wander around.
The crazy basis for all those tales and
stories, and for Genesis 6 - it's all there.
Go ahead and read Ezekiel and tell me
that's not a spacecraft he went away in.
Read the book of Enoch. Take the blinders
off your eyes as you read Revelation.
I mean, c'mon, get over it. We are
made by 'Gods' and betrayed by 'Gods'.
This is Heaven, and this is Hell - it's all
going on together; one big bundle. Stop
your linear, rational crap. Why would you
NOT understand a reference to a 'cat'
being a 'cat', or a 'house being a 'house'?
Why must we so stupidly assume that
the earliest of Mankind did not just
simply say what they saw, what had
occurred? 'In my father's house are many
mansions' - that's about as literal as you
can get for the eternal presence of deeply
layered, multi-dimensional, outside
of time, recurring lives for each of us.
Mental flotsam, image screens floating
before us. The reptilian portion of our
brains is the oldest, most primitive center
of the brain. That's the reptilian thinking
of the Luciferists who try to control and
rule us: contortions of rank and layers of
being, numbers and procedure, rules and
regulations, and - yes - churches and
commandments and governments too.
In order to do so, they put all this out
in front of us - layers of interpretation,
rules and regulations, and then they take
and claim their own authority for it. The
Israelite portion of all this is a joke - all
this goes from long before that unsettled
band of nobodies starting ranging around
and stealing the Egyptian and Sumerian
creation stories - babies in reed baskets,
floating down rivers, sacrifices, slaughters,
God's own sons and daughters, dying and
returning. Egads, it's 2016, we're the same
primitive creatures we always were. These
stories and tales have been around forever.
Why do we always insist on being pushed
around, and accepting it? Go sit in this
cemetery for awhile. There's a
revelation-spirit there awaiting you.
-
This whole 'cemetery' place, along its fringes,
is framed now by 'Headquarters Plaza' -
perhaps the most insipid piece of crummy
over-development on a small urban
scale I've ever seen. It doesn't deserve
its name. And I bet Washington, in his
'Headquarters', would have taken a
sabre to any of the goons behind this
one. The complete ignorance in place
here is so prevalent as to make any
sensible human blanch at the scene.
An old mausoleum, down at the bottom,
fence all broken and tomb ignored, red
bricks soiling away from the acidics in
the rainwaters and atmospheres; little
rows of graves tugged into the very
edge of the macadam put in place for
parking and plaza use. The modern
world with its gross wining and dining,
eating and staring out from its little
tables : at a landscape devoid of an
referential solidity. No one knows
a blasted thing. It doesn't matter who
these dead people were : names
inscribed for the ages onto a transcript
of nothingness. What do we of the present
day give to them? Nothing, not even a
proper read back of their names and dates
if we can find them. We are disgusting,
and we act it. These people were the
farmers and chandlers and wheelwrights
who made this part of 'Morris County'
what it is - and who was Gouverner Morris
to any of these people. What did or does that
intriguing name even mean? How long ago?
What is the forge and what was the mill?
Where exactly, and why? You see, don't you,
what I'm getting at? We are in a dead-sea
soup of no-meaning. We've lost everything.
In place of the blood and wounds of soldiers
here on the ground, we've built Post Offices
with municipal names and banks and churches
and all the requistie trash which now 'makes up'
our towns and places. We are bankrupt, with
nothing. All we have left is 'naming'. Words.
We build and destroy, and then call it whatever
last was there. Headquarters Plaza, Shady Oaks
Lane, Spreading Elm Estates, Hidden Brook
Village. Even when nothing of that is there.
We build and destroy, and then call it whatever
last was there. Headquarters Plaza, Shady Oaks
Lane, Spreading Elm Estates, Hidden Brook
Village. Even when nothing of that is there.
We should be ashamed.
-
And ashamed as well for how we conspired
to twist and tear at every facet of our own world
and spiritual lineages - the distorted face of
of forever-Moses, burned by radiation, half
blind by the madness it causes. A mad ghost of
to twist and tear at every facet of our own world
and spiritual lineages - the distorted face of
of forever-Moses, burned by radiation, half
blind by the madness it causes. A mad ghost of
a man, unable to see again. We weave a story
around what we call it - this man, this place.
We leave with our wreckage. An underground
mausoleum, never opened, and untended for
probably a hundred years now. The walkway's
all gone and the rusted hinges are solid; the soil
has collapsed the hillock around it, and now no
inscriptions can be read, no names deduced, no
any, no 'thing' at all except deep in this festering
tomb great secrets remain - for it is from another
place and silent about everything except to the
spirit-reader who stumbles here.
-
Yes, deep in this aging tomb, great secrets remain:
it all still resonates here on this dense physical plane.
Edging towards a darkness where there is no light left,
understanding all things, it bears us no grudge. It holds
the modern day in thrall - with someone's powdered
bones within and with nothing more to say. We shrug.
No one cares and things are different now - there's
no language anyway for the things we'd like to say:
'horse-whipped horn-swaggled, lolly-gagged,
no goodnick, high-falutin' fakers all that you are.'
And George Washington had no religion except
that war and he was never meant to say half of
what it's said he'd say but buried here instead are
all his secret papers, here where the massive
craft had landed once and one old horse and
maybe 'he himself' in duplicate form and doubled
twice - for that is how great legends go - and there's
no outfitting the exploration party today for they've
all gone home for something and they've all
managed to disappear and like some plague of
locusts the truth is shunned and all the weeds
grow everywhere ('and in my will to win I stand
apart and study deeply all that I can.
-
The railroad ties are stacked deeply along the side
of the road and the heavy trucks which carry them
there, and the boatsman from the harbor who tarry
near the edge of the sea and relate what they've
done and seen and the piles of fish they throw like
the men with the Gennasaret nets and the piles
of fish they throw from the holds and the scales
which measure the catch and the men and their
women who work the coast and the feeders with the
cutters and weighers and all those who sell and as
I remember back the surveyors too who once
marked every place, for a certainty of this world,
like naming, to keep it in place -- they are ALL
forgotten now and the sailors who sang of the sea
and the warriors and officials and taxmen and judges.
And I sing with the Song of Miriam thus : 'sing unto
Yahweh for He is highly exalted. The horse and its
chariot has He thrown into the sea'. And still I hear
those words echo down chambers of time, in a new
circumference and an understanding of many things
- material I cannot relate and ways of understanding
I cannot retell, but slowness is the Prince of Time,
and once you achieve that pace corrected you can
-
Yes, deep in this aging tomb, great secrets remain:
it all still resonates here on this dense physical plane.
Edging towards a darkness where there is no light left,
understanding all things, it bears us no grudge. It holds
the modern day in thrall - with someone's powdered
bones within and with nothing more to say. We shrug.
No one cares and things are different now - there's
no language anyway for the things we'd like to say:
'horse-whipped horn-swaggled, lolly-gagged,
no goodnick, high-falutin' fakers all that you are.'
And George Washington had no religion except
that war and he was never meant to say half of
what it's said he'd say but buried here instead are
all his secret papers, here where the massive
craft had landed once and one old horse and
maybe 'he himself' in duplicate form and doubled
twice - for that is how great legends go - and there's
no outfitting the exploration party today for they've
all gone home for something and they've all
managed to disappear and like some plague of
locusts the truth is shunned and all the weeds
grow everywhere ('and in my will to win I stand
apart and study deeply all that I can.
-
The railroad ties are stacked deeply along the side
of the road and the heavy trucks which carry them
there, and the boatsman from the harbor who tarry
near the edge of the sea and relate what they've
done and seen and the piles of fish they throw like
the men with the Gennasaret nets and the piles
of fish they throw from the holds and the scales
which measure the catch and the men and their
women who work the coast and the feeders with the
cutters and weighers and all those who sell and as
I remember back the surveyors too who once
marked every place, for a certainty of this world,
like naming, to keep it in place -- they are ALL
forgotten now and the sailors who sang of the sea
and the warriors and officials and taxmen and judges.
And I sing with the Song of Miriam thus : 'sing unto
Yahweh for He is highly exalted. The horse and its
chariot has He thrown into the sea'. And still I hear
those words echo down chambers of time, in a new
circumference and an understanding of many things
- material I cannot relate and ways of understanding
I cannot retell, but slowness is the Prince of Time,
and once you achieve that pace corrected you can
achieve most anything. The symbols of the world play
on and they shine back off earthly light, reflected.
And what of the sky? And what of the sea?
For wordless are all things in their final demise.
on and they shine back off earthly light, reflected.
And what of the sky? And what of the sea?
For wordless are all things in their final demise.
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