THE PHILIP GUSTON BRIDGE
nyc, (1967)
I called back once, and he was gone.
All that color and content, patiently
waiting for him, or myself, to come.
The ceaselessly stupid old phone rang
crankily off its hook - no one ever
answered; just as no one ever sang or
warbled, or hummed. A hangman in a
hood, that fat cigar, and the cracked
and mottled shoe : loathsome intimations
of how rank this single humanity can be.
-
I shook his hand and tapped his back,
numerous times and long ago, on Eighth
Street and on Tenth. We hung together
like compadres - the crazy Rover 2000,
the car he drove to and fro, and his wry
smile - over and over - about something
quaint or another. Back and forth to talk.
-
Morty Feldman. The Woodstock studio,
Milton Resnick and David Hare. Jesus
Christ, I'd give an arm to have it all again.
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