Tuesday, September 3, 2019

12,066. RUDIMENTS, pt. 797

RUDIMENTS, pt. 797
(I called them bastards)
It took some getting used to
no lights in the sky. Nothing.
Except stars, and of those
there were plenty. But there
were no lamps, streetpoles,
floodlights or any of that.
The farmyards here and there
had their own lampposts
for the barnyard to be lit up,
but mostly they were on
switches and not just plain
'on' all the time. You don't
know pitch dark until you've
been experienced with it.
When I first got to my
property, there were two
lamp-poles I'd not known
about, regular street lights
that came on at darkness. I
had the fixtures immediately
removed, once I realized they
were coming on nightly and
blinding me. I was calling the 
power company for the new 
account set-up anyway. Those
two lamps came to $103 monthly,
and I knew I didn't need to be
paying that, and I really didn't
want that extra light at $52 each.
I wanted darkness, thanks.
They left the poles in place,
they came and took the lighting
arms away. I used to go out at
night, deep night, like 2am, just
to fixatedly observe the sky. It
was dark, and riddled with
thousands of stars  -  (dare I say 
tens of thousands? Numbers fail
for this grasp)  -  bright, not
so bright, dim, wavering, and
even varied in color some.
What amazed me, I think the
most, were two items that
astounded. First was how
much movement there was
in the deep night sky  -  things
moving around, in their silence.
I'd figured for what the blinks
were; satellites and various of
Mankind's orbital things. Yet,
beyond them there was an
almost constant movement,
somewhere, at any time, of
streaking  -  comets, asteroids
whatever. I wasn't a science
type who would get sky maps
and tracking charts and all
that  -  to me it was all more
thrilling and cosmic, and I
wished for it to stay that way.
My thoughts were usually as
wandering as some of those 
stars anyway. The second
aspect of this which astounded
me  - and this is a little difficult
to get across  -  was the pure
dimensionality of deep space.
As I stared and studied what 
I saw, there was a constant
three-dimensional effect; the
stars are layers of depth, the
aspect of 3-D startles. The
miserable, industrial sky of
Jersey and Avenel with which
I'd grown as a flat, 'dispossibly'
disconcerting, nay boring,
artifice; Sky. Something that
once may have been important.
To someone. To others, in the
past. I'd see all those star
charts and diagrams of the
horoscope sky, and the old,
ancient, supposedly mythical
images of ancient man, who, it
was said, somehow sat around 
and got the outlines of Gods and 
their legends from all that, to 
formulate by : place, and time,
portraits and images from the
sky, of archers and rams and
buckets and fountains. That
crap always baffled me, and 
it seemed like a real load of 
it too. The night sky now,
however, that I was viewing,
there in Pennsylvania's distant
high lands, bore more the
resemblance of gauze. A web,
an entire panoply of stars and
celestial objects NOT in any
flat pattern, but one so awesome
and deep and rich that the varied
depths, the very deepness of
the night and the astronomical
world above, could be seen as
in the equivalent of some real,
heavenly, divine, cosmic
ViewMaster. I'd never before
experienced it  -  it was hot to
the touch, enrapturing, and it
all captivated me totally. I 
never wanted for daylight 
again. I'd found my element,
my own 'dark' matter, which
wasn't dark at all.
-
I knew I'd hit onto something:
The world was never anything
of what people say it was. I
sensed that counting eggs! 
Each egg was another life 
and another world; limited 
in its scale, yes, and only 
little like ours, but farmers 
viewed each as an installment 
of money, a designated, tiny
and incremental part of a 
much-larger packet of the
egg-production, and milk, 
and corn, and everything
else by 'commodity,' they
lived. You'd think, being 
around all that life, they'd 
value something of it. But
that never happened  -  oh
sure, they got cute around the
bunnies and foals and chicks
when the children were near,
doing all that dumb adult
stuff that parents and adults
do around kids; but none of
it was true. Each was a 
commodity, saleable by 
volume, and valued as that 
only. Besides, all over the land
round them, if something
could be shot, hunted or
otherwise killed as wild, it
would be. Nature got little
regard except as business.
Over time that really gnawed 
at me, galled me, and pretty
much turned me against what
I was seeing.
-
It was the same with that
night sky  -  I was lost in
an almost Nirvanic reverie
each time  -  yet these oafs 
all around me saw nothing 
and cared little of it. They'd 
rather have haircuts and 
their damned apple jack. I'd
be lost in Orion's Belt, on
my own in the deep, deep sky,
and all they wanted was another
belt of their booze to try. All
things had gotten twisted up,
and I began seeing how there,
yes, even there, people were
living misrepresented lives,
getting things wrong; ignoring 
the best, a thriving on the wrong.
Taking sustenance, as it were
from bad cattle-feed of the
mind. A lethal mind. My
wife had a Siamese cat; a
real nice one, expensive too.
We brought it with us, having
bought down in Laurence Harbor,
NJ a year or so back, in some
miserable pet store that's now
a store-front post office next
to a naked bar that opens daily
at 4pm and is now BYOB after
years of NO alcohol allowed.
Things change, I guess, and I
end up wondering how I know
this stuff anyway. Farm boys
ran the cat down, it having been
strolling around out the broad
yard; for a bit of the air  -  got off 
near the road, and these yokels
ran it down under the pretense
that they'd 'thought it was a
raccoon.' Well, at least they
told us about it later. Another
time, I had a dog, a crazy-ass
black Lab, about three years old,
full of God's own graces and
pep and energy too. They one
day long-distance shot it. For
what they said was 'chasing
deer. I called them 'bastards'
on that case.




Monday, September 2, 2019

12,065. IN SOME WAYS

IN SOME WAYS
Some days I do nothing at all.
It's easy; all this writing and
turmoil brings a self-respite,
and I can still run away. To
sit about : peanut-butter walls
and a butterscotch ceiling too.
I might read a hundred books
of nothing this day, and yet, on
another, one massive great tome. 
And walk away satisified and 
beseeched. And. Never.
Leave. Home.

12,064. WHEN THE SLEAZEBALL GENTRY ARRIVE

WHEN THE SLEAZEBALL 
GENTRY ARRIVE
They'll be led, I assume, by the most
ordinary scum : in groups like Manta
Rays or Nancy Mairrones. Apple
mouth princes, slobs of the moment.
No one at home to turn over the keys.
-
We shan't be looking, mind you, not
for that. Their tracks will be sealed 
and easy to trace in blood marked with
icicles, lathered with these foremost
icons of dejection. Those who do the
biddings of others because they're too
decrepit to do their own.
-
I built a house once on the railroad
tracks; and I let the trains run right
through it. My porters and conductors
carried their own books, with all the
clues written down : we knew who'd
killed the last Mayor, we know who'd
installed now the clown.

12,063. ARRIVAL

ARRIVAL
Hart Crane and his words.
Van Gogh and his brushes.
Arshile Gorky and his bent
turmoil. Freda Kahlo and
all that pain. They've all
gotten there already.

12,062. CAFE LIFE

CAFE LIFE
In one instant moment, as
quick as a hoodlum's wink,
the shallow shoals of constancy
were gone. Everything tipped;
new delegations of the swarm
began talking their junk. I was
watched the violet light refracted
along the ceiling, thinking it would
only last a moment as I sat  - and
as the sun moves, and the time
of days re-adjusts all things,
as the noise subsides.

12,061. LAMBASTE THIS CATERWAUL

LAMBASTE THIS CATERWAUL
Watching the man with the hatchet
fall down, I awoke. And then he said
he knew me when. How was any
sense to come of that? 'Dimwoodey
and Carrington, Arborists' is what
the side of their green truck read. I
thought little of that, while they cut
with a hack. I said to myself tht it
sounded more like a faux-British
soap company than anything else.
Cleanse the world! Clean up this 
landscape! I say, old chap!

Sunday, September 1, 2019

12,060. RUDIMENTS, pt. 796

RUDIMENTS, pt. 796
(not magic; just magical)
Tucked away in my little
corner of nowhere, there at
RD 2 Columbia Crossroads,
PA, on some nameless dirt
road at the time (I kept
naming it, changing the
every two weeks at will,
all meaningless and making
reference to no one), I did
manage well enough. Half
the adventures I can remember
are fully untold, and the ones
I've told are half remembered.
If I knew back then that all
this would occur, I'd have
called the road 'Hold Onto
Memories Lane;' well.
perhaps. As it is, it's more
like 'Make a left at Don't
Blank Out Road.'
-
There came a time, March
1st or so (the beginning of
March has always been a
portentous, breakout, time
for me. I never know why),
whichever year it was; not
sure. I just got that feeling
again of needing to fly, start
something over. Thank God for
Ithaca. It right then became a
refuge; it was half a trip, maybe
40 miles, 21 up from Elmira
and another 20 down into
Pennsylvania. In any case,
by this time I'd gotten by
post-flood job back up in
Elmira, I'd stopped working
with Warren, and the farm
stuff, my local school job
was done; I'd kind of just
chucked everything as was
almost ready to move on.
Elmira  -  to which place
we did eventually move,
again was stopgap. It became
a fairly regular thing, that
Spring and Summer, to make
the trip to Ithaca  -  it was,
all of a sudden, like making
up for lost time. The Johnson
Art Museum had just opened,
and it was pretty much a showcase
of Art, or at least a place, a real
place, where I could dip back
in. At the time, the building
and its architecture was
considered groundbreaking,
even though now it comes
off as dated and little much,
for its 'modernity'  -  like a
bad rocket ship or something.
Looking at it now, all that
poured concrete leaves me
cold. No matter, because
I'm not there.
-
Ithaca had a bottom section  -
a regular town, stores, shops,
sidewalks. All the usual. And
then, after a long incline, as
one drove or walked the old
clusters of hill hugging homes
and streets, frat houses, rooming
houses, and the two colleges
(Ithaca College, and Cornell
University, much larger). It
was a place unto itself, down
and dirty, ramps and paths, not
all paved; shortcuts between
homes, things were still hippie
like, the remnants of the takeover
and black-power turmoil and all
the campus fighting and Vietnam
War stuff, was all yet around.
Smoke had not yet cleared, and
it was as if the words still hung
in the air. Talk about sanctuary
cities, this place was one even
way back then. There was little
rule. Suicides off the cliffs were
not uncommon, at exam time,
during the long course or Winter
and school, whatever. (It's all
been netted off now and is held
in place by chained and secured
mesh nets, over and along the
gorges an rocks and ledges.
Stupid to look at, but, I guess,
needed too. Personally? I think
it could be argued either way.
Let 'em jump. As Scrooge said,
reduce the excess population).
Anyway, what's the use of letting
people hang on who want to use
their free will? I never got that
stuff at all, the idea that people
talk out of both sides of their
mouth is obvious; which is why
there's a high, and a low. That
kind of dichotomy is part of
Life's make-up. We praise our
freedoms and freedom of
choice, but actually allow
so little of it.
-
All I ever mostly did at this
point was study. I was a bit
crazy over that. Maybe some
people are born mad, but I
certainly was developing in
that direction  -  not having
been born like that : Mad in
the sense of one, undying
devotion to a single task.
On the other hand, that
doesn't ever make for a
well-rounded or complete
life. Believe it or not, by
letters at first, later in
person, I became friends
with an older guy attached
to Cornell, doing some sort
of work. Raul Manglapus. It
was a letter to the editor, by
him, in the NYTimes, to which
I responded to his Cornell
address, and he answered. It
then went back and forth a
few times, and we finally met.
Interesting stuff. Marcos, about
1972, had exiled him, so he
was running, as it were, an
opposition movement for a
government-in-exile, against
the Marcos family regime and
kleptocracy. Maybe you remember
Imelda Marcos, with her 6,000
pairs of shoes. His family had
a long struggle to sneak out of
the Philippines and also get to
America. Manglapus thus tended
to be a little furtive, figuring, as
he did, that probably someone
was out to get him. Shoot him
poison him, etc. He stayed very
active in his national political
issues. But what was cool about
him, was that he was also pretty
hip; like a jazz-music guy, a
writer and a musician. He had
some music of his own he
wrote and worked with too.
Once Marcos was gone,
Corazin Aquino, I think it
was, got him back into the
country and into the government,
maybe even back into his old
foreign minister position. I
forget, and I never heard
from him again  -  until I
later heard when he died  - 
regular death, disease or
cancer. No foul play.
-
I did used to think how cool
it was, and by whatever
accidental means it had
occurred, that I had made
that connection. It was, of
course a purely symbolic
one  -  I was nothing to him,
in his political and exile scheme
of things; I represented no great
'part' of America, of which his
music and writing used to parody
or sort of poke fun at too. But,
I'd broken through some sort
of personal barrier, and I was
proud of that, in my way  -  in
the same manner, and almost
exactly, as the way I'd become
friendly, at Elmira College,
with Gandy Brody, the artist,
before he died. It was all a
little strangely-magical, because,
by rights, all of what I'd been
doing should have had no
paths-crossing with these
guys. It was weird, because they
each represented something I'd
just previously been involved
with. Gandy Brody, along with
his visiting friend once or twice,
poet Kenneth Koch, brought to
me the living, breathing remnants
of 1950's beat-bohemia in ways
that I'd otherwise only read about;
and Manglapus, and his jazzy
music-set stuff, along with his
famed political role and situation,
became like, to me, a living
History icon and the living
representative of deeds and
actions in that sphere.
-
Rather than running mad and
blindly out of control, I was
managing to make each little
chit of my time and learning
fit a format of the living
panorama of all that was
around me. Much the same
as, about 2010, when I picked
up the phone and there was
Joyce Maynard on the other
end, wondering if I'd show
my house to her son, who'd
be in NYC from California.
I did, we met, he came over
to the house, and the rest, 
well, maybe I'll write about 
sometime too.








12,059. WHAT WILL YOU DO?

WHAT WILL YOU DO?
What will you do when Hong Kong
comes here? You will do nothing; do
not sneer. You've already turned over
the keys to your kingdom, to the 
sleazeball marauders and the clenches
of death; the men who wear cleats in
their teeth and who lie where they stand.
Those who will stop at nothing (you've
already let them) to despoil your land.

12,058. A NATURAL DELIRIUM

A NATURAL DELIRIUM
To run from stars and cakes alike,
as if no difference existed, would
make no sense to me. In the light
of any day  -  all things must be
examined. The realm of sameness
is a quite different place.
-
To be told the Earth is an orb
constantly turning, is, in my
mind, conjecture. A heedless,
or perhaps natural delirium.
That's all. For it cannot be :
the cosmos is interpretation, 
that alone. I opine? A cosmos 
of being wherein we have a 
part, like an endless nerve 
running the spine, or the heart.

12,057. RUDIMENTS, pt. 795

RUDIMENTS, pt. 795
(designs for your porch?)
Rather than distance myself
from things, I always felt
there was a message built
into everything; so I dug
in instead.  This put me at
odds, with the 'Pure-God'
crowd, whose view of God
was of a pure and distant
presence, prime mover of
all things, which were
inherent and then made
self-evident by the aloof
'distance' of this far-off
God concept. My viewpoint
was the other way (as it
turned out, a total failure
and a bust, by whatever,
and by whose terms
anyway?)...for I held
faith in the active and
present work of a verb-God,
one whose activities and
consciousness as it were, of
and within all things, kept
this world going and, as
well, stepped in to alter 
and to influence its acts, 
occurrences, and those
agents of these acts too;
namely, US, as Humans.
What happens when one's
premise and base for living
turn out to be only false and
conjectural? Well, just look
at me. I missed the mark.
Aristotle had said 'God' was
pure reason and far too
exalted to descend to the
knowledge of such ignoble,
particular beings as men (all
beings/ Humankind) and its
doings. On the other hand,
the God of revelation was
the active agent, able to
know all things and to be
present and active in the
creative order. The two
instances here diverge, yes,
and greatly. Pure God, and
aloof, contemplating only
itself and not the petty affairs
of men and their cosmos;
set against that Revelation,
acting-force, determinate,
God. I had placed my early
bet on the active, force-bound
agent one, and had, apparently
bet wrongly. (Aristotle also
said, somewhat stupidly, I felt,
relating to that aloof God
of reason, and its 'Creation'
of which he paid no attention,
that 'There are some things
which it is better not to see
than too see.'
-
So, anyway, I almost should
have realized, but the traveling
cross-country girlfriend who 
was with us a complete fan
of, alas, The Flower District,
in NYC  -  and one of her goals
was to see and visit it, at the
5:30 AM start-up and prep
time that it operates by. She
wanted to see the incoming
trucks of flowers, cuttings and
such, witness the distribution
and trimming and cutting, and
display, of the entire gamut of
flower-district activities. Quite
dedicated. In addition, she was
an architect....of porches. Go
figure! I never even knew there
were such things  -  porches and
overhangs, balconies and the like.
Talk about craft specialization!
So, in addition to the flower
district wanderings, our time
took in her sketching and 
drawing, in not artistic, but 
rather architectural renderings, 
of all these things she'd see.
Overhangs. Grandiose entryways,
mid-level dormers and such  -
all of the rich and varied parts
of so many old buildings. It
was a bit tedious, yet I enjoyed
it; fortunately the weather was
good, we were able to eat, etc.
Plenty of dawn activities, and
many places were open to serve
that early crowd. The scurrying
ants of commercial New York
were everywhere.
-
So, no interdiction was due me;
I had failed, had bet wrongly, 
and my definitive enterprises
therefore needed some newer
reconstituting. Which is where
my life - centered around an aloof
yet rampaging creativity - came in,
and was sourced from. Other than
that, I'd lost all meaning; not such
a bad thing, as I learned; because,
to put it frankly I can take, and
I can argue either side of any 
issue. And can do it well. What
that actually makes me, I don't 
know. (But what it does for me
is show me how inconsequential
the fallen world actually is, that
I can argue any point and scoff
at its opposite, from any angle,
and how deadly serious and for
more vital and important the
unchanging and fierce world
of cosmic creativity is by
contrast. You can have your
silly old 'Earth' stuff).
Jamming into NYC from that
last leg of the journey, from
Binghamton east, was a real
blast. Probably punch-drunk
from two long, dumb, days
of incessant travel, dogs, talk,
sights, scenes and sounds, I
felt positively Keruoac-ean.
My head was ablaze, and my
running mind was kept reeling.
Possibilities abounded; each 
and all seen in the light of the
long arc of all I'd ever done
before : books, quotes, learning,
writing, wants, and needs too.
By contrast, I am an old man
now, with a much clearer and
sharpened delineation of
character and selfhood. Many
of the things I was concerned
with or cared about then, I
would no longer spend a penny
on. The long years wasted and
drained my life  -  to the point
where I realize no there are no
meanings or definitions worth
doing anything about. It's all
an ever-changing bowl of soup,
but presented to us somehow
on a sloppy platter, instead of in
a bowl. Keeping it all together
and from dripping all over the
floor is our human task.
-
And too bad for all that!
-
There was a certain strangeness
to these people who were our
traveling companions. I'd never
quite seen it before. It kind of
concerned me, but at the same
time was none of my business.
'She' was the passive partner
here; almost abusively so  -
taking refuge, I found, in these
quirky dedications to sketching
entries, porches, and overhangs.
The guy in this mix was a total,
demand/control figure, wielding
that heavily over her head. It
wasn't often that I could read a
power-dynamic so clearly, but
this one was easy. The same 
weird drive, the same personality
intensity and madness that took 
us in a two day period from
one westerly NY State point,
across to NYC, and then back a
abit to New Jersey too (and also
back to Elmira again!), almost
without ceasing, was the same
sort of push-drive-command
over others he wielded, or
tried to anyway. I noticed he
controlled the style of her
hair; she'd commented she
wished for it to be cut back
some, but he'd allow no
tampering. I wasn't sure what
any of this represented, but I
could feel the chafing in the
air; something there was 
about them that was gong 
on too far forward. It wasn't
computing for me. Fondly, I
found her appreciation for things
for more comforting than his
drive. I'd never been trained
for this sort of situation. They
didn't last. Within the year, after
they'd gone back to California,
the relationship failed, they went
their separate ways, after some
real quarreling. I lost track of
her  -  his fifth relationship in
maybe 10 years  -  and he later
died. It was all as over as that.
If you see any porch designers
named Sherie, it might be her.